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                <text>Boria Jalan Hatin</text>
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                <text>Terdapat banyak kumpulan Boria yang terdapat di Pulau Pinang dan penulis telah memilih Kumpulan Boria Jalan Hatin kerana ia berdekatan dengan rumah penulis. Ini adalah satu kajian kes di mana penulis telah melihat dengan khusus terhadap cara-cara mereka mengadakan latihan, gerak tarian, kostum, sumber kewangan serta alat-alat muzik yang digunakan. Cara penulis mendapatkan maklumat ialah dengan cara temu bual dengan mereka yang berkenaan.</text>
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                <text>Tan Kean Tatt</text>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Profail Ahmad bin Yusoh</text>
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                <text>Ahmad Yusoh adalah merupakan seorang pemuzik, penyanyi sekaligus sebagai penggubah lagu. Telah banyak lagu hasil-hasil dari gubahannya menjadi lagu yang popular di tahun-tahun 60an. Ini secara tidak langsung telah menaikkan namanya. Selain sebagai penggubah lagu, beliau juga adalah terkenal di dalam berbagai aspek lain di dalam dunia seni.&#13;
&#13;
Beliau lebih dikenali sebagai 'Mat Godak' di kalangan rakan-rakan seangkatan dengannya. Panggilan ini walau bagaimanapun hanya terkenal di kalangan kawan-kawan rapatnya sahaja. Sementara di kalangan orang lain pulabeliau lebih dikenali dengan 'Encik Mat' sahaja.</text>
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                <text>Syed Daud Syed Ibrahim</text>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya</text>
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        <name>muzik tradisional</name>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Ensembel Alat-Alat Muzik Gamelan</text>
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                <text>Gamelan berasal dari bahasa Jawa. Akar umbi kata 'gamel' bererti membunyikan alat-alat, baik dengan cara 'pukul', 'tabuhan', 'gesekan', 'petikan' atau 'tiupan'. Gamelan adalah kata 'gamel' yang ditambah akhiran 'an' yang sudah menjadi ukuran kepada alat-alat muzik yang mengandungi berbagai jenis alat.&#13;
&#13;
Ensembel alat-alat muzik gamelan ini dimainkan untuk sesuatu upacara tertentu dan ia diiringi oleh persembahan Joget Gamelan. Jenis-jenis tarian yang mengiringi persembahan itu mengandungi penari-penari tambahan dan peranan atau watak lelaki dalam dramatari itu dimainkan oleh penari-penari wanita.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Suraya Abdul Manaf</text>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1984/85</text>
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        <name>alat muzik</name>
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        <name>Muzik</name>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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            <description>A name given to the resource</description>
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                <text>The Second Gulf War - Meeting the purpose of war</text>
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            <description>An account of the resource</description>
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                <text>In 1990, Iraq invaded Kuwait and the United States (US) pressured the United Nations (UN) to condemn Iraq for its aggression. The Security Council was asked to take the necessary steps to isolate Iraq from the rest of the world. Resolution 678 on the use of force was passed unless Iraq withdrew its forces by 15 January 1991 deadline. However, Iraq failed to meet the deadline. On Friday 18 January 1991, reports of initial attacks on Iraq by US air strikes were published throughout the world. Regardless of the rightness or wrongness of the issues, the world was then closer to the use of nuclear weapons than any time since the Cuban Missile crisis.&#13;
&#13;
However, in the Second Gulf War, despite the victory of the US led- Coalition force, Iraq was made to suffer an economic sanction for almost six years.&#13;
&#13;
Clausewitz also quoted that war is a continuation of policy by other means. This statement has been thoroughly considered and many realists thought that war has been an underlying interstate behaviour. Clausewitz was writing about war and was taking the Napoleanic wars as the example of his great days. He (Clausewitz) was not thinking of other alternatives-that is the ways of continuing policy without resulting in a military conflict. Only later that the world realize the other options of pursuing diplomacy or applying economic pressure. However, other more subversive techniques such as the use of propaganda and terrorism are arguably also variable means to political ends. This paper tends to consider the role of force in the 1991 Gulf War in relation to the alternatives available, so as to determine both their relative effectiveness and the part played by necessity - in the decision making process on both sides prior to considering the purpose of the war itself. Before concluding, the possibility of Gulf Cooperation Council (GCC) applying Confidence Building Measures (CBMs) a conflict resolution in pursuing peace in the Middle East will be examined.</text>
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                <text>Major Fallah Bin Khamis al-Marzooq</text>
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              <elementText elementTextId="80158">
                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
JZ39.3 M41997 Falkam&#13;
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                <text>1997</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>kelly</text>
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      <tag tagId="2014">
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                <text>Perang kimia tidak berakhir dengan tamatnya Perang Dunia Pertama. Senjata kimia digunakan lagi oleh tentera Jepun semasa menawan China dan oleh tentera Itali di Habsyah sebelum Perang Dunia Kedua. Pada tahun 1945, senjata nuklear digunakan bagi mengakhiri Perang Dunia Kedua. Senjata bilogi dilapor pernah digunakan semasa Perang Korea, di IndoChina dan oleh ejen-ejen rahsia negara-negara Eropah Timur untuk menghapuskan pembelot yang berpaling tadah semasa perang dingin. Beberapa dekad selepas Perang Dunia Kedua, senjata-senjata pemusnah besar (SPB) ini masih dimaju, disimpan dan digunakan di serata dunia walau pun banyak perjanjian dan usaha dilakukan bagi mengharamkannya.&#13;
&#13;
Sejarah telah membuktikan bahawa manusia bersedia menggunakan apa sahaja jenis senjata bagi memenangi sesuatu peperangan. Senjata biologi umpamanya pernah digunakan di zaman Iskandar Zulkarnaen pada tahun 353 S.M. semasa pemimpin besar ini menyerang bandar Cafea. Tentera Sparta dan Greek pernah menggunakan asap untuk mengusir musuh mereka yang berlindung di gua-gua lebih 2,000 tahun yang lampau manakala senjata nuklear walau pun hanya sekali pernah digunakan telah menyebabkan kerosakan dan kehilangan nyawa yang sangat besar.</text>
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                <text>Mej Zainal Abidin Bin Hj. Ramlee</text>
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                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
JZ39.3 M41997 Zaiahr&#13;
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                <text>1997</text>
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                <text>Pengintegrasian sumber negara ke arah pertahanan Malaysia dalam konteks HANRUH</text>
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                <text>Kerajaan telah memutuskan bahawa Malaysia tidak akan mengadakan satu pasukan tentera yang besar untuk menjaga keselamatan dan pertahanannya. Keputusan ini dibuat berdasarkan kos penyelenggaraan yang tinggi serta ancaman kepada keselamatan negara sendiri jika mempunyai kuasa tentera yang besar. Kerajaan lebih selesa jika dasar pertahannya adalah seiringan dengan dasar dan perhubungan luar negara. Oleh yang demikian, struktur pertahanan negara adalah terdiri daripada satu pasukan tetap yang sederhana kekuatannya dan penambahan sumber manusia didatangkan dari komponen awam dan pasukan bantuan yang lain.&#13;
&#13;
Untuk membolehkan dasar ini berjalan dengan sempurna, Pertahanan Menyeluruh (HANRUH) telah dimasukkan sebagai salah satu daripada elemen Dasar Pertahanan Negara (DPN). Antara komponen HANRUH adalah 'Bantuan Nasional termasuk pengemblingan sumber negara untuk pertahanan negara seperti sumber material, perkhidmatan pengangkutan dan orientasi pengangkutan awam.'&#13;
&#13;
Sesungguhnya HANRUH telah diperkenalkan sejak 1989 lagi, namun sehingga sekarang perjalanannya tidaklah seperti yang dijangkakan. Ini disebabkan oleh tiadanya satu badan yang dipertanggungjawabkan sepenuhnya yang mengkoordinasi dan melaksankan dasar yang dipersetujui. Setakat ini hanya KEMENTAH sahaja yang mengambil berat tentang peranannya sedangkan jabatab-jabatan lain belum lagi memainkan peranan masing-masing.&#13;
&#13;
Memandangkan perkara ini telah begitu lama terbiar adalah dicadangkan satu Jawatankuasa khusus ditubuhkan bagi mengkoordinasikan segala keperluan untuk keselamatan dan pertahanan negara. Banyak sumber-sumber negara yang boleh diintegrasikan demi mempertahankan kepentingan negara.</text>
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              <elementText elementTextId="80074">
                <text>Mejar Ahmad Jamaludin Bin Royan</text>
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              <elementText elementTextId="80075">
                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1997 Ahmjr&#13;
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              <elementText elementTextId="80076">
                <text>1997</text>
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            <name>Contributor</name>
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              <elementText elementTextId="80077">
                <text>kelly</text>
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                <text>Project Paper</text>
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        <name>Ancaman keselamatan</name>
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                <text>The study of National Foreign Policies has maintained a sustained interest among the scholars of international relation even after some attention has shifted to the study on non-national and supra national actors. Despite the discipline's continued emphasis on foreign policy analysis, the policies of the third world countries have not received the attention commensurate with their growing importance in world politics.&#13;
&#13;
Little had been written on Tunku Abdul Rahman and his Foreign Policies between the period of 1957 to 1967. However the Malaysian Foreign Policy during Tunku Abdul Rahman period can be understood in term of a decision making by the Prime Ministers himself and the few who were comprising on of five men and he rally discussed them with the cabinet. The five were Tun Abdul Razak, Tun Dr. Ismail, Tan Sri Ghazali Shafie, Tun Tan Siew Sin and Tun Sambanthan. Most of the consensus view which includes economic growth which act as a key to political stability, anti-communism, Anglophilia and support for International Organizations.&#13;
&#13;
Tunku used to discuss with Tun Razak, Tun Dr. Ismail during the free time and during informal contacts. This had become the source of decision making during Tunku's time. Malaysian Foreign Policy at that particular time was pro-west. Political elite at that time was pro-west who were trained from the United Kingdom, and the British who were the one trained them and then the British handed over the country in 1957. The other strong indication was that the Malays was really a disciplined character who always obey orders either from their political leaders of the Malay Sultanate. The Malays was the most dominant group at that particular time who works as a peasant. Traditionally the Malays are very friendly to the British and other races. The Chinese was the immigrant from the China who came to work in the mining industry. The Indian was brought into Malaya because the mining industry really require them to work as workers. As they arrived, the plural society was arise.&#13;
&#13;
After independence Malaya was having a friendly relation with the British. This is due to the Chinese who has the different lifestyles and attitude were among who were suspected to be friendly with the CPM who were getting the support from mainland of China. Realizing about the strategic importance the Malayan government had the negotiation with the British, New Zealand, Australia and Singapore to form up SEATO  and later led to the formation of AMDA.</text>
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                <text>Mejar Azizan Bin Idris</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1997 Azii&#13;
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                <text>kelly</text>
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              <description>An account of the resource</description>
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                  <text>Haslan   Tamjehi</text>
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          <element elementId="50">
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                <text>The military as an integrating force in nation-building</text>
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                <text>The military is an instrument that plays important roles and functions both during war and in peace time. During war, the role of the military is clear; to defend against the enemy attack or to recapture fallen territory. In peace time, the military train for war and to create a picture that the potential enemy will have a second thought to attack the country it is serving. The latter role is not very clear to the general public or the politicians, as such misunderstanding exists among non-intellectuals as to the role the military plays in nation building. Is ensuring national security part of nation building? Does nation building and national security be planned and executed independantly?&#13;
&#13;
Many scholars agree that security plays an important part in any nation's development process. Military is the force that can ensure security beside the police force and other agencies of the Home Affairs Ministry. Security will stabilise the country and subsequently nation building will come.&#13;
&#13;
Presently all countries have some form of military forces to defend the nation-states. Defense of nation state is the subset of national security. From the security provided by the military, Malaysia has achieved enormous success, in terms of political stability, economic prosperity and social cohesion. Military will continue to provide service as long as it is needed so as to allow Malaysia to strive forward and achieve the vision of turning her into a developed nation. While it aspires to be a developed nation, Malaysia does not neglect the need for national security for it is the foundation on which peace and prosperity is built.&#13;
However, Malaysia's emphasis on deterrence through diplomacy though politically justified, did not by itself provide the means to guarantee national integrity and the preservation of its sovereignty. For deterrence to be credible, it must not only be seen in physical form but also in the sustained will, resilience of its people and the ability to mobilize in shortest possible time its economic, social, psychological and military power of nation to meet a threat.</text>
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                <text>Mej Dzulkafli Bin Ghazali</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1997 Dzug&#13;
</text>
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                <text>Malaysia sentiasa mengamalkan dasar luar yang positif terutama dalam mengelakkan sebarang pergeseran politik dengan mana-mana negara jiran yang boleh mencetuskan penggunaan kuasa ketenteraan. Bagaimanapun, sejauh manakah keadaan perhubungan harmoni antara negara serantau ini dapat dikekalkan. Negara jiran berkemungkinan besar akan mengambil kesempatan untuk menguji sistem keselamatan negara ini jika kita tidak bersiap sedia dan waspada dengan negara jiran. Perang Teluk telah membuktikan bagaimana Kuwait telah ditawan Iraq dengan begitu mudah dan dalam masa yang singkat, bukan sahaja disebabkan kekuatan tenteranya yang memang kecil tetapi disebabkan sistem keselamatannya yang tidak waspada.&#13;
&#13;
Satu organisasi tentera yang mantap ialah yang mempunyai jumlah kekuatan anggota yang mencukupi dan mempunyai kelengkapan ketenteraan terkini yang diperlukan untuk melaksanakan suatu tugas operasi peperangan dengan berkesan. Anggota tentera yang diperlukan dalam suatu organisasi tentera mestilah seorang yang mampu melaksanakan tugas dan tanggungjawabnya disamping boleh menggunakan segala aset kelengkapan ketenteraan dengan baik dan berkesan. Justeru itu, TUDM telah mengambilkira pelbagai faktor utama di dalam permodenan dan penyusunan semula organisasinya sesuai dengan pembangunan negara masa kini.</text>
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                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1999 Muhsj&#13;
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                  <text>Haslan   Tamjehi</text>
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                <text>The resurgence of Islamic fundamentalism : Its implication to the Western world</text>
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                <text>Islam is indeed a misunderstood religion such as the misunderstanding and the prejudice against it that muslim and non-muslim alike often regard it as animpediment as a barrier to good peaceful relations between muslims and non-muslims and even between muslims and muslims. Both regard this religion that brought greatness tot he muslims and built a very progressive empire that dominated the world in terms of sciences, arts, technology, skills in exploration, navigation and in trade, industry, political strength and territorial size.&#13;
&#13;
The Western media attempts to relate any of terrorism or sabotage to the muslims, especially Arabs and does not trouble itself to the simplest description of the atrocities commented by some countries or some individuals of those countries against the muslim. Therefore, everyone that profess the Islamic faith is fundamentalists.&#13;
&#13;
There is a tricky and deliberate information policy which aims at the formulation of an international opinion that have a version towards Islam and muslims especially after the fall of the communist ideology which had been the first competitor to the West.</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1996 Talamt&#13;
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                <elementText elementTextId="59810">
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                  <text>Haslan   Tamjehi</text>
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                <text>The resurgent of Islamic Fundamentalism : Its Implication to the Western world</text>
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                <text>Islam is the religion of truth. It is the embodiment of the code of life which God, the creator and the Lord of the universe has revealed for the guidance of mankind. Islam in an Arabic word and denotes submission, surrender and obedience. A religion Islam stands for complete submission and obedience to Allah. The other literal meaning of the word Islam is 'peace' and the signifies that one can achieve real peace of body and of mind only through submission and obedience to Allah. &#13;
&#13;
The basic Islamic concept is that the entire universe was created by God, whom Islam calls Allah and who is the Lord and the sovereign of the universe. He is the Lord of the universe which He alone sustains. He created man and appointed for each human being a fixed period of life which he is to spend upon the earth.&#13;
&#13;
The western generalisation of the issue when dealing with Islam is to a degree it leaves the impression that Islam is and should be always associated with violence and all muslims are fundamentalist in its negative meaning. Muslims and Christians in the past never really enjoyed a peaceful relationship beginning with the expansion of muslim empire and the conquest of Spain in the 7th century and later on by the Christian crusaders invading the muslim countries in the middle East. That has influenced the orientalists in their writings about muslims and Islam which widened the distance between the cultures.</text>
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                <text>Zakaria Bin Saat (Major)</text>
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University of Malaya&#13;
PL5065 1996 Zaks&#13;
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                <text>Kebangkitan Islam : Implikasinya terhadap Barat</text>
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                <text>Kegemilangan Islam yang bermula sejak awal kurun ke-7 lenyap ditelan zaman pada awal abad ke-20 ekoran kehancuran empayar Uthmaniyah di Turki. Sejak itu hinggalah kini Islam berada dalam keadaan yang tidak memperlihatkan banyak kemajuan. Salah satu sebab mengapa terjadinya perkara ini adalah kerana jihad dan nilai-nilai Barat yang diserapkan ke dalam sistem pemerintah Islam. Hakikat ini terlaksana kerana terdapat golongan elit pemerintah, pegawai-pegawai, cendekiawan-cendekiawan dan ahli-ahli akademik negara-negara Islam yang terbelenggu dalam kerangka pemikiran Barat dari aspek fizikal dan psikologikal.&#13;
&#13;
Barat maju dengan perkembangan teknologi yang memberangsangkan. Terdpat kemajuan yang mereka capai merupakan ciplak yang berasaskan dari kemajuan Islam. Mereka telah mencipta senjata dan bahan letupan yang mewujudkan kekuatan dalam bidang ketenteraan, yang mana kesempatan kemajuan ini digunakan untuk memerangi, menindas dan menakluki Empayar Islam.&#13;
&#13;
Catatan sejarah memperlihatkan bagaimana umat Islam dianiaya oleh orang Kristian dan Yahudi sejak dari detik kemunduran Islam sehinggalah ke hari ini. Sebagai contoh pada tahun 1099 ketika orang Yahudi dan Kristian memasuki Baitulmukaddis, puluhan ribu umat Islam telah disembelih begitu juga apa yang berlaku di Sepanyol antara tahun 1150 hingga 1492, di Algeria pada tahun-tahun 1830 hingga 1963 dan 1945, di Libya antara tahun 1922 hingga 1932, di Afghanistan, Turki, Palestin dan Indonesia. Pada penghujung abad ini pula kita melihat bagaimana Mesir, Libya, Syria, Lebanon, Palestine, Algeria, Sudan, Maghribi, Bosnia-Herzegovina dan Chechnya menerima nasib yang sama.</text>
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                <text>Samsudin Bin Mohd Som (Mejar)</text>
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              <elementText elementTextId="79848">
                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1996 Samms&#13;
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                <text>Kajian ini tidak menjelaskan secara menyeluruh tentang persembahan Wayang Kulit (WK). Tumpuan khusus hanya diberikan terhadap peranan serunai dalam persembahan WK. Di negara ini terdapat pelbagai jenis WK yang ada sejarah perkembangannya tersendiri. Namun begitu, WK Siam menjadi tumpuan utama dalam kajian ini. Apa yang menarik dalam persembahan WK ini ialah peranan serunai yang begitu ketara. Serunai mempunyai sejarah perkembangannya yang tersendiri. Nama dan bentuk serunai tidak sama antara kawasan-kawasan ia ditemui. Namun begitu, peranan serunai tidak boleh diketepikan khususnya dalam persembahan WK. Dari awal pembukaan panggung serunai ditiup hinggalah sesuatu persembahan itu tamat. Contohnya serunai ditiup untuk mengiringi lagu-lagu yang dibawa oleh Tok Dalang (TD). Dalam hal seperti ini, serunai mempunyai peranan yang begitu banyak. Harus diingat untuk menghasilkan bunyi serunai yang betul-betul merdu perlu penjagaan rapi. Iaitu tidak mengabaikan pantang larang yang ditetapkan sejak zaman dahulu lagi. Tidak kurang penting juga cara serunai ditiup. Sememangnya cara tiupan yang sempurna akan menghasilkan bunyi yang benar-benar merdu. Sesungguhnya tidak lengkap sesuatu persembahan WK seandainya serunai tidak berfungsi dengan baik.</text>
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                <text>Rosdi Hashim</text>
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                <text>Jabatan Pengajian Melayu &#13;
Universiti Malaya&#13;
PL5065 1996 Rosh&#13;
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                <text>The resurgence of Islamic fundamentalism and its implication to the Western world</text>
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                <text>This paper discusses the growing Western interest in Islam and the causes that lead to the interest. It elaborates on the meaning of the terms Islamic resurgence, Islamic fundamentalism and its differences with the term Islamic militancy with explanation on the manifestations of the resurgence.&#13;
&#13;
Islamic history from the seventh century to the nineteenth century is explained, for the readers to appreciate and understand the rise and fall of the Islamic Empires and its causes. Responses by the muslims towards colonialism that followed after the downfall of the Ottoman Empire and how the responses lead to rhe emergence of Islamic movements is also highlighted.&#13;
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The paper then discusses in detail the early resurgence. Syed Jamal al-Din al-Afghani, Muhamad Abduh in Egypt and Sir Muhammad Iqbal in the Indian subcontinent were a few names that were mentioned as the early reformers of Islam. It also elaborates on the formation and influence of the Muslim Brotherhood founded by Hassan al-Banna and Jamaat-i-Islami founded by Abul Ala Mawdudi. It goes on to elaborate on the end of colonial rule and domination in muslim countries and the paths taken by these countries in nation building in the post-colonial era. The realization of the ineffectiveness of Western ideologies and systems in the sixties and seventies was the turning point for the resurgence. The resurgence then escalates with the Iranian Revolution.</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1996 Norhaa&#13;
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                <text>kelly</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>ASEAN : External security concerns in a post cold war era</text>
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                <text>From its modest beginnings in 1967, ASEAN has come to be regarded as one of the most successful experiments in regionalism in the developing world.&#13;
&#13;
ASEAN region is generally rich in natural resources which includes petroleum and agriculture products as well as other important raw materials. It is also a diverse and vitally important region in the world. Geographically, it sits astride the world's major eastwest trade routes which connect the Pacific and the Indian Oceans. Regional stability and freedom of passage through the area is therefore critical to international trade.&#13;
&#13;
ASEAN regional security is determined by both the external and internal threats as well as the interconnections between them. The realm of security in ASEAN involves a wide spectrum of affairs: geo=strategic; political; economic; social; cultural and ideological. It is not solely a military matter as it usually perceived in the conventional sense.</text>
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                <text>Lt Cor Nasaruddin Dato Hj Mohd Hashim RMN</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1996 Nashmh&#13;
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              <elementText elementTextId="79826">
                <text>kelly</text>
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              <description>An account of the resource</description>
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                  <text>Haslan   Tamjehi</text>
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                <text>Alat-alat muzik dalam persembahan Wayang Kulit Kelantan</text>
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                <text>Dalam sinopsis ini, penulis cuba menganalisis persiapan, peranan, kedudukan dan alat-alat muzik di dalam persembahan Wayang Kulit Kelantan. Penulis telah membahagikan alat-alat muzik tradisional ini kepada beberapa kumpulan berdasarkan sistem klasifikasi Curt Hornbostel. Dalam kajian ini, ada lapan jenis alat muzik yang dibahagikan kepada empat kumpulan penting iaitu mambranophone, ideophone, chordophone dan aerophone. Penulis juga membincankan apakah peranan dan fungsi sebenar setiap alat muzik. Pembuatan, teknik permainan dan penjagaan alat muzik serta kedudukkan setiap alat muzik ketika persembahan turut dibincangkan. Pada bahagian penutup, penulis cuba membayangkan masa depan alat-alat muzik dan pemuziknya. Beberapa pandangan dan saranan telah dikemukakan bagi mempertahankan persembahan tradisional Melayu ini dari pupus ditelan arus pemodenan.</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="79792">
                <text>Mohd Zaharuddin Omar</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="79793">
                <text>Jabatan Pengajian Melayu &#13;
Universiti Malaya&#13;
PL5065 1996 Mohzo&#13;
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="79794">
                <text>1996</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="79795">
                <text>kelly</text>
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              <elementText elementTextId="79796">
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                <text>Wayang Kulit merupakan satu bentuk seni persembahan Melayu tradisional yang diwarisi sejak zaman berzaman. Teater Wayang Kulit memaparkan pola kehidupan masyarakat Melayu lama dari segi kepercayaan, hubungan mereka dengan alam sekeliling, hubungan dengan raja dan hubungan sosialisasi dalam masyarakat. Mereka mempunyai hubungan erat dengan alam dan wujud interaksi yang baik dalam kehidupan seharian.&#13;
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Dalam masyarakat Melayu, alam terbahagi kepada beberapa tahap seperti alam atas iaitu tempat tinggal dewa baik dan Mak Hyiang, Alam Tengah (alam kehidupan dan alam dalam badan manusia. Mereka mengeksploitasi sumber-sumber alam dengan percaturan-percaturan tertentu. Mereka percaya bahawa semua benda dan objek di alam ini mempunyai semangat dan roh. Ia terbahagi kepada dua semangat iaitu semangat baik dan jahat dan ibu segala semangat iaitu Mak Hyiang. Kepercayaan ini dikenali sebagai kepercayaan animisme. Mereka tidak akan mengkhianati objek-objek alam dengan sewenang-wenangnya. Sebaliknya mereka meminta izin terlebih dahulu. Makhluk-makhluk yang wujud di samping mereka itu dihormti, dipuja dan dijamu.</text>
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                <text>Jabatan Pengajian Melayu &#13;
Universiti Malaya&#13;
PL5065 1996 Mohnol&#13;
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                <text>Wayang Kulit merupakan satu bentuk teater yang tertua di rantau Asia, kesenian ini dipercayai telah wujud sejak tahun 1,500 sebelum masihi. Ia tersebar luas di kalangan masyarakat Melayu, Jawa, Siam dan Bali. Pada zaman dahulu, Wayang Kulit menjadi tempat tumpuan untuk mendengar cerita-cerita kesusasteraan zaman mereka. Di mana peranan Wayang Kulit ketika itu bukan sahaja menjadi hiburan, malah ia juga memainkan peranan sebagai pemberi maklumat kepada masyarakat zamannya.&#13;
&#13;
Selain itu, Wayan Kulit juga telah memainkan peranan yang penting di dalam upacara-upcara keramaina yang berhubung kait dengan kepercayaan seperti upacara pemujaan, hiburan untuk golongan pembesar dan raja, perkahwinan yang disambut secara besar-besaran serta upcara-upcara unutk menolak bala.&#13;
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Secara umunya terdapt empat tradisi wayang yang ada di Malaysia iaitu Wayang Kulit Purwa, Wayang Melayu, Wayang Gedek dan juga Wayang Siam. Di mana setiap jenis Wayang ini berbeza dari segenap segi termasuklah patung, cerita, muzik dan cara persembahannya.</text>
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                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1996 Mohza&#13;
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                <text>ASEAN telah ditubuhkan pada 8 Ogos 1967 di Bangkok dengan hanya dianggotai oleh 5 buah negara sahaja iaitu Malaysia, Thailand, Singapore, Indonesia dan Filipina. Pada tahun 1984, Brunei telah menyertai ASEAN dan diikuti pla oleh Vietnam pada awal tahun 1996. Kemboja dan Laos akan menyertai ASEAN pada tahun 1997. Dengan tambahan ini, jumlah negara yang mengganggiotai ASEAN akan menjadi sebanyak 10 buah pada tahun 1997. Penambahan ini jelas menunjukkan bahawa negara-negara di Asia Tenggara telah mula sedar kebaikan menjadi ahli ASEAN terutamanya di dalam segi pertumbuhan dan kestabilan ekonomi. Pertumbuhan ekonomi adalah mustahak bagi meningkatkan Kuasa Nasional sesebuah negaa di peringkat antarabangsa.&#13;
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                <text>Faculty of Arts and Social Sciences &#13;
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PL5065 1996 Husa&#13;
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                <text>ASEAN : Pertikaian tuntutan bertindih kepulauan Pulau Sipadan dan Pulau Ligitan di antara Malaysia dan Indonesia. Satu pendekatan ke arah penyelesaiannya</text>
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                <text>Malaysia dan Indonesia telah menerima kemerdekaan masing-masing pada tahun 1948 dan 1963 (Sabah dan Sarawak memasuki Malaysia). Kedua-dua negara tersebut telah menjadi anggota pertubuhan ASEAN semenjak ia ditubuhkan pada tahun 1967 bagi tujuan meningkatkan kerjasama dalam bidang-bidang seperti ekonomi, sosial, budaya, teknik, sains dan pentadbiran. &#13;
&#13;
Keredaan ketegangan bilateral setelah tamatnya konfrontasi Indonesia terhadap Malaysia akhirnya menjalin semula hubungan baik negara-negara ASEAN. Latar belakang pengalaman kolonialisme yang sama menyebablan negara-negara ini bersatu di bawah ASEAN untuk mendapatkan sokongan dari dunia Barat bagi mengatasi masalah keselamatan serantau. Namun demikian pada hakikat sebenarnya kedua-dua negara ini masih mempunyai isu pertindihan tuntutan ke atas Pulau Sipadan dan Pulai Ligitan yang terletak di Selat Sulawasi dalam gugusan kepulauan Borneo berhampiran Sabah. Isu pertindihan tuntutan ini telah menjadi 'duri dalam daging' hubungan Malaysia-Indonesia dan sehingga kini ia telah melalui pelbagai peringkat perbincangan di antara kedua-dua negara.</text>
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                <text>Mejar Mad Saad Bin Ismail</text>
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                <text>Fakulti Sastera Dan Sains Sosial&#13;
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                <text>Runtuhnya Negara Soviet Union pada penghujung tahun 80-an telah membawa perubahan mendadak kepada suasana hubungan antarabangsa. Persaingan di antara negara-negara kuasa besar juga secara sendiri turut berkurang. Soviet Union yang selama empat dekad memberi saingan ideologi komunismenya kepada Barat dan Amerika Syarikat khasnya, tidak lagi berupaya bersaing. Fahaman komunisme yang menjadi kebanggaan negara kuasa komunis tersebut juga turut terancam. Ianya tidak mampu lagi memberi saingan dalam sistem antarabangsa hari ni. Pertembungan ideologi dan cabaran kepada kuasa-kuasa Barat sudah hampir tiada lagi.&#13;
&#13;
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                <text>Mohd Nazri Bin Abidin</text>
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                <text>Fakulti Sastera Dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1996 Mohna&#13;
</text>
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                <text>1996</text>
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                <text>kelly</text>
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                <text>ASEAN as a regional organisation Cambodia-Vietnam relations</text>
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                <text>Throughout its pre-colonial history, Southeast Asia was heavily influenced by outside power. The region is located midway between India and China. Yet even more than external influencers, Southeast Asia historically has been scene of intense internal competition, the result of the dynamic expansion and contraction of empires and kingdoms within the region. This competition has been significant for several reasons. First, it produced deep, lasting animosities among various ethnic groups that continue to cloud foreign relations to the present time. Example, the hatred between Vietnamese and Cambodians. Second, the historical ebb and flow of the major Southeast Asian kingdoms led in many cases to the mass migration of populations. So great was migration that today more ethnic Laotians can be found in Thailand than in Laos. Shifts in population such as these are significant because they are often provide seeds of conflicts when defining contemporary borders.</text>
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                <text>Mohd Huzsaire Bin Jantan (Major)</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1996 Mohhj</text>
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                <text>kelly</text>
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                <text>A515614128</text>
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        <name>ASEAN</name>
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        <name>Vietnamese</name>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Elemen perubatan dalam tradisi Main Puteri</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="79598">
                <text>Main Puteri merupakan satu aspek kebudayaan yang cukup menarik. Ini kerana ia ada kaitan antara cara perawatan dengan pertolongan daripada kuasa-kuasa luar biasa. Keistimewaan yang lain ialah ia hanya meliputi dan diamalkan secara popular hanya di negeri Kelantan sahaja. Kajian mengenainya mmasih belum meluas dan belum mencakupi kesemua aspek. Kajian yang dilakukan oleh warga Melayu secara ilmiah mungkin oleh Profesor Mohd. Fauzi sebagai awal mulanya menerusi thesis B.A. beliau. Kajian yang dibuat hanyalah merangkumi asal usul dan acara main puteri di kawasan kajian dan beberapa aspek lain. Persoalan-persoalan muzik, persoalan secara khusus mengenai magis tidak diperincikan.&#13;
&#13;
Sementara itu, Zaleha dan Profesor Hashim Awang mengkaji hanya salah satu sub dalam permainan ini iaitu aspek perjalanan acara ataupun plot Main Puteri. Adalah dijangkakan masih banyak benda yang belum diselongkar dan diketahui tentang keseluruhan Main Puteri terutama dari segi worldview Orang Melayu. Oleh itu, penulisan hanyalah merupakan salah satu usaha untuk mengali riang lingkup apa yang dikatakan Main Puteri itu sendiri.</text>
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                <text>Mohd Sahardi B. Che Harun</text>
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              <elementText elementTextId="79600">
                <text>Jabatan Pengajian Melayu &#13;
Universiti Malaya&#13;
PL5065 1996 Mohsch</text>
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                <text>1995/96</text>
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              <elementText elementTextId="79602">
                <text>kelly</text>
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                <text>A515624536</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>The Resurgence of Islamic fundamentalism : Its implications to the Western world</text>
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                <text>After the collapse of Soviet Union and the end of Cold War, many westerners perceived Islamic fundamentalism as a new threat to the western world. As such there have been a lot of misconceptions about Islam. This research paper try to find out why such misconception exist and is Islam really a threat to the "new world order"?&#13;
&#13;
Most of the acedemics facts and datas of this research were obtained from secondary publications. The result of the research proved that Islam is actually a religion of peace and pose no threat to anybody. Neutral Christian scholars such as John L. Esposito, Daniel Pipes and William Watt Montgomery tend to agree to this fact. The bad image of Islam were mostly portrayed by the Zionists because by presenting Islam as evil and Muslims as loathsome they try to justify their immoral usurpation and annexation of the Arab land. The Zionist intended to camouflage their violence and oppression by depicting their enemies (mostly Arab Muslims) as aggressors. This is why most Palestinians and Arabs real freedom fighters who resists the Israelis evil conducts were invariably described in the western media as 'terrorist', 'militants' and 'extremism'.&#13;
&#13;
The resurgence of Islamic fundamentalism is due to muslims believe that Islam is away of life and its teaching is compatible to modernity and time. The western way of life is no more suitable and is regarded as an alien to Islamic civilization today. The Quran and the sunnah are the guidance to mankind that will led to the best way of life in this world and the world hereafter.</text>
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                <text>Major Ahmad Afandi Bin Shuib Rmaf</text>
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                <text>Faculty of Arts and Social Sciences&#13;
University of Malaya&#13;
PL5065 1996 Ahmas</text>
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                <text>kelly</text>
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                <text>The Resurgence of Islamic fundamentalism : Its implications to the Western world</text>
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                <text>Islam has been perceived by many Western nations and non-Muslims around the world as a religion that promote terrorism and conflict. The various factors need to be highlighted which resulted to the resurgence of Islamic fundamentalism. The exposure to Islamic practice or way of life are being introduced globally hoping to have a better understanding of the Islamic religion amongst the westerners and non-muslims.&#13;
&#13;
The phenomena of Islamic resurgence occur throughout the world in this century are much discussed. The efforts has been taken to expose the Islamic religion, its perception on Islam widely known by the mass media. The effect of colonialism has also given a false perception by non-muslims. Although in the west much of this perception of Islam has been the product of historic misconceptions and disinformation dating back to the 11th century Crusade, the anti-west and Khomeyni-led Iranian Revolution of 1979.&#13;
&#13;
Throughout the eighties, neither the public nor the media in the west had the time or perhaps the willingness to learn more about Islam. Islam then was given extremely bad coverage which associated it with terrorist activities undertaken by isolated groups or individuals.</text>
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                <text>Ahmad Fhozi Bin Abd Rahman (MEJ TUDM)</text>
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                <text>Faculty of Arts and Social Sciences&#13;
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PL5065 1996 Ahmfar</text>
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                <text>ASEAN : Kerjasama politik ke arah abad ke-21</text>
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                <text>Sidang Kemuncak Pertama ASEAN telah dianggap sebagai tapak permulaan kerjasama politik dan keselamatan ASEAN. Walaupun sebenarnya negara-negara ASEAN sedar kerjasama politik diperlukan di dalam ASEAN tetapi kesedaran hanyalah timbul apabila didapati konflik IndoChina sebagai konflik yang boleh menggugat keselamatan serantau. Di Sidang Kemuncak Bali ini beberapa persiapan baru telah dibuat oleh negara-negara anggota bagi menghadapi realiti yang semakin mencemaskan itu. Kerjasama pertahanan antara negara-negara anggota telah digerakkan dengan lebih giat selepas tarikh tersebut.&#13;
&#13;
Dokumen ini dianggap tapak permulaan kerjasama politik negara-negara ASEAN. Sebenarnya perkataan politik tidak terdapat di dalam Deklarasi Bangkok walaupun tujuan penubuhan ASEAN berkaitan dengan unsur-unsur politik. Di dalam Deklarasi Bali barulah ditekankan kerjasama politik. &#13;
&#13;
Dasar Aman, Bebas dan Berkecuali adalah dasar luar negara ASEAN. Tujuan paling penting dasar berkecuali ASEAN ini adalah untuk menjamin keselamtan rantau ini akibat perbezaan ideologi yang memecah-belahkan perpaduan anggota ASEAN. ASEAN tidak mahu terikat dan dikongkong oleh kuasa-kuasa besar agar rantau ini tidak dijadikan sebagai medan pertempuean untuk meluaskan pengarauh atau ideologi sehingga mengancam keselamatan ASEAN.</text>
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                <text>Fakulti Sastera dan Sains Sosial &#13;
Universiti Malaya&#13;
PL506 1996 Bakhi</text>
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                <text>ASEAN merupakan satu rantau yang telah dikenalpasti bakal menjadi satu kuasa yang mempunyai pengaruh di dalam bidang perdagangan. Ianya juga merupakan pertubuhan yang pertumbuhan ekonominya berjalan dengan lancar. Kadar pertumbuhan ekonominya berjalan dengan lancar. Kadar pertumbuhan ekonominya kini telah menjangkau kadar di antara enam ke sepuluh peratus. Negara-negara ASEAN hidup dalam keadaan yang baik dari segi ekonominya, kesihatan yang bertambah baik dan sistem pembelajaran yang agak baik juga jika dibang=dingkan dengan negara-negara yang lain.&#13;
&#13;
ASEAN ditubuhkan pada tahun 1967 kini telah berusia hampir 29 tahun telah membuktikan dengan kerjasama ekonomi yang dipupuk oleh negara-negaranya. Kini ASEAN bolehlah dikatakan satu pertubuhan yang disegani oleh negara-negara lain. Walaupun pada peringkat permulaan ianya menghadapi banyak rintangan dari segi keselamatan, batasan sempadan, curiga-mencurigai namun perkara-perkara ini telah dapat dikikiskan dengan wujudnya kerjasama erat di antara sesama sendiri.</text>
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                <text>Mejar Gulam Rasul Bin Hj. Abdus Subhan</text>
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              <elementText elementTextId="79568">
                <text>Fakulti Sastera dan Sains Sosial&#13;
Universiti Malaya &#13;
PL5065 1996 Gulrhas</text>
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                <text>Sejarah perkembangan seni lukis Malaysia agak pendek jika dibandingkan dengan sejarah perkembangan seni lukis dunia. Menurut maklumat yang sedia ada, aktiviti berkaitan dengan seni lukis tanah air hanya bermula pada tahun 1920-an.&#13;
&#13;
Konsep seni di dalam kajian penulis ini membawa maksud yang sama kepada 'fine art' atau seni halus mengikut definisi Barat. Ia merujuk kepada hasilan-hasilan daripada perasaan, imaginasi dan pemikiran seniman terhadap alam semula jadi, agama, politik, ekonomi, sosial, adat resam dan sebagainya yang dipersembahkan atau dikemukakan melalui pelbagai material dan teknik, merangkumi lukisan, ukiran, fotografi dan lain-lain. Ia dikategorikan ke dalam kumpulan Seni Tampak (visual art).&#13;
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                <text>Wong Kew Lit</text>
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                <text>Fakulti Sastera dan Sains Sosial&#13;
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                <text>Seni lukis Cina di Malaysia</text>
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                <text>Seni lukisan China atau "Zhong Guo Hua" mempunyai 2 definisi yang berbeza. Pertama, seni lukisan China merangkumi semua jenis lukisan China secara amnya. Kedua, seni lukisan China merujuk kepada lukisan China yang menggunakan berus, air ("shui") dan dakwat ("mo") secara khasnya. Kertas kerja ini akan membincangkan seni lukisan China di Malaysia dari perspektifnya yang ke-2 iaitu "Chinese Brush Painting" atau "Shui Mo Hua|"</text>
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                <text>Yeow Hooi Huang</text>
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                <text>Fakulti Sastera dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5065 1995 Yeo</text>
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            <name>Date</name>
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              <elementText elementTextId="79553">
                <text>1994/95</text>
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          <element elementId="37">
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                <text>kelly</text>
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                <text>Project Paper</text>
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            <name>Identifier</name>
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                <text>A515623853</text>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Non-muslims response towards Islam in Malaysia</text>
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                <text>Malaysia is a multiracial society. Its population consists of followers of major religions of the world namely Islam, Buddhism, Christianity, Hinduism, Sikhism and Confucius. According to the 1980 census there were 6.9 million muslims in a population of 13.07 million. The rest are made up of Buddhists, Hindus, Christians, Sikhs and followers of Taoism and other traditional Chinese religions with followers of various folk religions and others.&#13;
&#13;
Almost all Malays are muslims. This means that most of the indigenous people are muslims. Most of the non-Malays or non-indigenous communities are predominantly non-muslims. Since 1957, when Malaysia achieved its independence, Islam has been the official religion of the Federation of Malaya. This does not mean that Malaysia is an Islamic state. The position of Islam as the official religion is essentially a recognition of its premier status in the evolution of the Malaysian polity, expressed itself mainly through the performance of muslim prayers at official functions, the construction of mosques bu the states, the holding of Quran-reading competitions, the organising of the haj (annual pilgrimage to Mecca) through the agency of the government, religious activities such as Maal Hijrah, birthday of Prophet Muhamad and Israk Mikraj.</text>
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                <text>Zulkefly Bin Hj Abdullah</text>
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                <text>Faculty of Arts and Social Sciences &#13;
University of Malaya&#13;
PL5065 1995 Zulha</text>
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              <elementText elementTextId="79545">
                <text>1995</text>
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            <name>Contributor</name>
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              <elementText elementTextId="79546">
                <text>kelly</text>
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                <text>Project Paper</text>
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            <name>Identifier</name>
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                <text>A515618045</text>
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        <name>Islam</name>
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        <name>muslims</name>
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        <name>non-muslims</name>
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                  <text>Abstrak Kertas Projek  APM</text>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Warisan tradisi joget gamelan Terengganu : Tarian dan muzik</text>
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                <text>Gamelan Terengganu dianggap sebagai satu persembahan tradisi Melayu yang tergolong dalam tradisi persembahan istana. Ini adalah disebabkan faktor tempat dan persekitaran perkembangannya di istana. Persembahan gamelan Terengganu ini hanya untuk golongan tertentu sahaja terutama golongan raja, pembesar dan tetamu asing. Gamelan dipersembahkan sebagai satu bentuk hiburan di istana untuk upacara-upacara tertentu seperti majlis perkahwinan diraja, berkhatan, bertindik, ulang tahun keputeraan dan majlis jamuan istimewa.&#13;
&#13;
Di dalam persembahan ini terkandung beberapa aspek yang unik. Ini dapat diperhatikan daripada tarian dan cara alat-alat muzik dimainkan. Dengan mengenali seluruh aspek dalam gamelan Terengganu akan membolehkan kita lebih menghayati dan menghargai tradisi tinggalan nenek moyang kita.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79535">
                <text>Zulkefli Bin Ibrahim</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="79536">
                <text>Fakulti Sastera dan Sains Sosial &#13;
Universiti Malaya &#13;
PL5065 1995 Zuli</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="79537">
                <text>1994/1995</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79538">
                <text>kelly</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79539">
                <text>Project Paper</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="79540">
                <text>A515624598</text>
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                  <text>Abstrak Kertas Projek  APM</text>
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              <description>An account of the resource</description>
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                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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                <text>Kebangkitan Islam : Implikasinya terhadap dunia Barat</text>
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          <element elementId="41">
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                <text>Kebangkitan islam adalah merupakan satu fenomena yang sentiasa dipandang serong oleh pihak Barat. Sikap prejudis Barat terhadap Islam semakin hari semakin ketara. Sejak kejatuhan rejim komunism Soviet dan tamatnya perang dingin di antara kuasa-kuasa besar pihak Barat telah memandang kebangkitan Islam sebagai satu ancaman baru kepada mereka. Umat Islam dikatakan Fundamentalis. Islam sering dikaitkan dengan keganasan, kekejaman, perpecahan, peperangan dan sebagainya lagi yang bersifat negatif.&#13;
&#13;
Kesalahfahaman mereka terhadap Islam membuatkan mereka menuduh Islam adalah punca keganasan. Fundamentalis sebenarnya adalah berasal daripada nukilan Barat sendiri. Ada yang berpendapat kebangkitan Islam merupakan satu agenda baru di dalam sejarah umat Islam setelah bebas daripada penjajah. Ada yang juga pendapat yang mengaitkan kebangkitan Islam untuk kepentingan golongan tertentu supaya umat Islam tidak lebioh jauh mendalami dan menghayati agama mereka iaitu sekadar mengamalkan Islam dalam aspek sosial dan kebudayaan sahaja. Walau apa pun pendapat, kebangkitan Islam bukanlah suatu fenomena baru yang timbul secara mendadak.&#13;
&#13;
Adalah kurang tepat jika dikatakan yang kebangkitan ini muncul pada abad kedua puluhan sahaja. Fundamentyalis nukilan barat sebenarnya diasaskan kepada perjuangan golongan protesan untuk mengembalikan agama mereka supaya bertindak mengikut fahaman yang lama dan menyucikan kembali agama mereka. Dari situlah ia diperkembangkan kepada agama-agama lain khasnya agama Islam.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79527">
                <text>Abu Bakar Bin Musa (Mejar)</text>
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          </element>
          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="79528">
                <text>Fakulti Sastera dan Sains Sosial&#13;
Universiti Malaya&#13;
PL5094 1996 Abubm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79529">
                <text>1996</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79530">
                <text>kelly</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79531">
                <text>Project Paper</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="79532">
                <text>A515614057</text>
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      <tag tagId="1943">
        <name>Implikasi</name>
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                <text>Salasiah Buniran</text>
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                <text>Jabatan Pengajian Melayu&#13;
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                <text>1995</text>
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                <text>Simbol &amp; lambang dalam Tuk Selampit karya Anuar Nor Arai</text>
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                <text>Skrip drama ''Tuk Selampit'' agak mencabar minda audien untuk membuat suatu telahan, rumusan atau penganalisaan pembacaan sama ada yang tersurat atau tersirat. Tentunya ini bukan suatu yang ganjil kerana kebanyakan drama kotemporari tidak lagi mendukung ciri-ciri konvensional malah lebih berkiblat kepada yang bercorak absurdisme. Karya Anuar Nor Arai ini diselarikan dengan penghasilan drama-drama seperti ''Tok Perak'' (Syed Alwi), ''Jebat'' (Hatta Azad Khan), ''Jangan Bunuh Rama-rama'' (Nordin Hassan) dan lain-lain lagi. ''Tuk Selampit'' juga seperti karya-karya Anuar yang terdahulu, antaranya, ''Vakum'', ''Pemacak'' dan ''Mencari Roh Yang Hilang'' kaya dengan simbol dan lambang-lambang untuk dibuat pentafsiran.&#13;
&#13;
Laporan Panel Hakim Hadiah Sastera Malaysia 1986/1987 antara lain menyatakan bahawa skrip drama ini sememangnya mencabar malah kaya dengan simbol. Simbol-simbol itu pula misteri sifatnya seperti watak utamanya Tuk Selampit yang ada dan tiada di dalam realiti dan fantasi. Simbol-simbol dan lambang-lambang dimanfaatkan oleh Anuar untuk menjadikan situasi atau suasana yang disampaikannya menjadi lebih harmonis dan bermakna berbanding dengan sekadar menyumbat mulut watak-watak dengan dialog yang panjang-panjang. Aplikasi pendekatan sebegini amat memerlukan keperihatinan ketika membuat kajian kerana segala aksi watak, latar, penataan cahaya, muzik, pemilihan kata, benda dan sebagainya mengandungi makna yang tersendiri dan amat bermakna.</text>
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                <text>Saruchi Sawal</text>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya&#13;
PL5065 1995 Sars</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="79207">
                <text>1995</text>
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          <element elementId="37">
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              <elementText elementTextId="79208">
                <text>kelly</text>
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              <elementText elementTextId="79209">
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                <text>Kajian ini adalah mengenai hukum adat dalam masyarakat Dusun di Sabah. Masyarakat Dusun adalah salah satu kaum terbesar di Sabah. Sehingga tahun 1961, orang Dusun di Sabah mencapai 145,229 orang atau 31.9% dari jumlah penduduk negeri itu. Dalam banci 1970 pula, orang Dusun mencapai 184,512 daripada 853,254 penduduk Sabah secara keseluruhan. Kaum Dusun sebahagian besarnya tertumpu di kawasan pantai barat dan pedalaman Sabah terutama di daerah-daerah Tambunan, Keningau, Tuaran, Penampang, Ranau, Papar, Kuala Penyu dan Kudat.&#13;
&#13;
Seperti kaum lain, kaum Dusun mempunyai cara hidup atau budaya sendiri yang banyak berbeza dengan kaum lain. Kaum ini biasanya hidup sebagai petani. Walau bagaimanapun, dengan perkembangan masa, ramai di kalangan mereka yang telah mencebur diri dalam biodang lain seperti perniagaan dan kerja-kerja makan gaji. Jika diteliti dengan terperinci, boleh dikatakan bahawa sistem budaya kaum Dusun adalah kompleks dan terdapat banyak kepercayaan dan pantang larang khusunya pada masa dahulu.</text>
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                <text>Palunus Tesim</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya&#13;
PL5065 1995 Tes</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="79198">
                <text>1994/95</text>
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          <element elementId="37">
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="79199">
                <text>kelly</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="79200">
                <text>Project Paper</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="79201">
                <text>A515623751</text>
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                <text>Perkahwinan Iban : Satu penelitian etnografi di kawasan Sungai Paku, Spaoh, Sarawak</text>
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          <element elementId="41">
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                <text>Negeri Sarawak kaya dengan penduduk pelbagai kaum, antaranya Iban, Melayu, Cina dan Melanau. Pada tahun 1990, jumlah penduduk di Sarawak adalah kira-kira 1,670,000 orang. Daripada jumlah ini, orang Iban merupakan golongan bumiputera terbesar dengan jumlah 493,000 orang (29.5%), diikuti oleh orang Melayu seramai 348,000 orang (20.8%), Bidayuh seramai 140,000 orang (8.4%) dan kaum-kaum bumiputera lain seramai kira-kira 91,000 orang (5.5%). Sementara itu, kaum Cina adalah golongan bukan bumiputera yang terbesar jumlahnya iaitu kira-kira 483,000 orang (28.9%). Selebihnya iaitu kira-kira 19,000 orang (1.1%) adalah kaum-kaum bukan bumiputera lain, termasuk India dan Eropah.&#13;
&#13;
Pada masa dahulu orang Iban terkenal dengan sikap suka mengembara dan berpindah dari satu tempat ke satu tempat. Oleh itu, tempat asal orang Iban sukar ditentukan. Namun, dipercayai orang Iban berasal dari satu tempat di Kalimantan Barat, Indonesia yang dikenali sebagai Sungai Kapuas. Orang Iban ini telah berhijrah ke Sarawak melalui Sunagi Kumpang dan menetap di Batang Ai, Lubok Antu. Oleh kerana sikap suka mengembara serta keperluan untuk mencari kawasan hutan baru untuk menjalankan pertanian pindah, orang Iban akhirnya telah berpecah dan berpindah ke kawasan lain di seluruh Sarawak. Oleh itu, pada masa sekarang orang Iban terdapat di kesemua bahagian di Sarawak. Tetapi majoritinya terdapat di Bahagian Kedua dan Ketiga.</text>
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                <text>Roseline Bedok Ak. Luna</text>
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                <text>Walaupun di negeri Kelantan Darul Naim banyak terdapat bentuk-bentuk kesenian tradisional seperti Wayang Kulit, Main Puteri, Menora dan sebagainya, namun penulis telah memilih Mak Yong Kelantan sebagai bahan kajian. Ini kerana Mak Yong merupakan salah satu daripada bentuk lakon Melayu tradisional yang begitu terkenal di negeri Kelantan. Kemunculannya dikatakan adalah secara aktiviti naluriah, iaitu berkaitan dengan kepercayaan masyarakat kepada kuasa-kuasa ghaib.&#13;
&#13;
Pengkajian ini juga bertujuan untuk memperkenalkan watak tersebut kepada masyarakat, betapa peri-pentingnya peranan ataupun imej yang dimainkan oleh watak Peran Tua Awang Sejambul Lebat dalam Cerita Dewa Muda. Ini kwerana Cerita Dewa Muda merupakan cerita pokok dalam persembahan Mak Yong. Malah, cerita ini juga turut dimainkan dalam persembahan Main Puteri atau Mak Yong Main Puteri. Persembahan ritual perubatan Melayu tradisional ini menggunakan Cerita Dewa Muda bagi membangkuitkan 'angin' dalam diri pesakit. Oleh itu, imej Peran Tua Awang Sejambul Lebat juga turut terserlah dan memainkan peranan penting.</text>
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                <text>Roslin Bin Hamzah</text>
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                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya&#13;
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                <text>1994/95</text>
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                <text>Perkembangan muzik Rap di Malaysia : Kajian kes kumpulan kru</text>
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                <text>Muzik tanah air kita terdiri daripada berbagai rentak dan irama iaitu dari muzik tradisional ke muzik moden. Muzik tradisional terdiri daripada Wayang Kulit, Main Puteri, Ulik Mayang dan Mak Yong yang digunakan bagi tujuan perubatan. Selepas itu lahir pula muzik-muzik tradisional seperti Ghazal, Dondang Sayang, Gamelan dan Gambus. Dari sini bermula muzik popular mengikut era Agogo, Twis, Keroncong dan sebagainya. Manakala muzik moden pula ialah muzik yang dibawa dari Barat iaitu Rock, Jazz, Rhythm dan Blues dan yang terbaru ialah muzik Rap. Muzik moden ini diiringi peralatan-peralatan seperti piano, organ, drum, keyboard dan lain-lain.&#13;
&#13;
Muzik Rap merupakan satu rentak baru yang cuba ditampilkan oleh beberapa buah kumpulan Rap yang wujud di negara kita. Sebagai satu permulaan sememangnya sering menjadi bahan penilaian sama ada sesuai atau tidak rentak Rap dibawakan di negara ini. Namun selagi ia dinamakan muzik ia tidak mengira siapa yang mendengar. Yang penting setiap yang mendengar dapat mengahayati rentak Rap itu. Sememangnya muzik Rap adalah sesuai untuk golongan remaja. Jadi kemunculan kumpulan Rap di negara kita seperti 4U2C, KRU, Feminin, M'steen, Res 2, Nico dan beberapa kumpulan lagi yang sedang dalam proses rakaman sedikit sebanyak memberi kejutan kepada para peminat muzik tanah air. Apa yang pasti dengan munculnya muzik Rap telah mempelbagaikan lagi rentak muzik di tanah air.</text>
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                <text>Roslan Kasim</text>
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              <elementText elementTextId="79141">
                <text>Jabatan Pengajian Melayu &#13;
Universiti Malaya&#13;
PL5065 1995 Rosk</text>
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            <name>Date</name>
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                <text>1995</text>
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            <name>Contributor</name>
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                <text>kelly</text>
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              <elementText elementTextId="79145">
                <text>A515624451</text>
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              <elementText elementTextId="79192">
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        <name>Kumpulan KRU</name>
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        <name>Muzik Rap</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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                <text>Kosmologi Melayu dalam seni persembahan Wayang Kulit Siam di Kelantan</text>
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                <text>Penulis menumpukan kajian ini pada dua aspek yang utama iaitu seni persembahan Wayang Kulit Siam dan perkaitannya dengan kosmologi Melayu dalam masyarakat Melayu Kelantan. Masyarakat Melayu tradisional di negeri Kelantan sebenarnya amat kaya dengan hasil-hasil kesenian tradisional seperti 'Wayang kulit', 'Mak Yong', 'Main Puteri', 'Dikir Barat', 'Rebana Ubi' dan banyak lagi. Mereka sentiasa menjaga dan menyanjungi warisan budaya turun-temurun hingga kini. Namun, dalam setiap kesenian itu diselitkan pengucapan-pengucapan secara abstrak dan simbolis, yang hanya dapat difahami oleh mereka yang arif tentangnya.&#13;
&#13;
Wayang Kulit Siam merupakan hiburan utama bagi masyarakat Melayu tradisional di Kelantan. Selain iut, Wayang Kulit Siam juga digunakan untuk tujuan-tujuan pengubatan secara tradisional yang berkaitan dengan 'semangat' atau 'angin'. Cara pengubatan sebegini dimainkan dalam persembahan Wayang Kulit Berjamu, yang penuh dengan upacara-upacara magis dan ritual.</text>
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              <elementText elementTextId="79105">
                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya&#13;
PL5065 1995 Rosh</text>
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            <name>Date</name>
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              <elementText elementTextId="79110">
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                <text>Kertas projek ini mengkaji tentang seni persembahan kuda kepang yang terdapat di negeri Johor. Kajian ini dilakukan di Parit Raja yang dikenal pasti mempunyai kumpulan kuda kepang yang masih lagi kekal bergiat aktif dalam persembahan kuda kepang sehingga kini iaitu kumpulan Kuda Kepang Seri Kenanga, Parit Kassim. Kajian dilakukan menjurus kepada satu kumpulan kuda kepang sahaja. Kajian ini juga ada menyentuh dan membuat sedikit perbandingan antara persembahan kuda kepang pada zaman awal kemunculannya dengan persembahan kuda kepang pada hari ini.</text>
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                <text>Siti Maisarah Binti Hambali</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="78922">
                <text>Perbidanan Melayu merupakan sebuah institusi yang mempunyai kepentingannya yang tersendiri di dalam masyarakat Melayu. Institusi perbidanan Melayu pada amnya diterajui oleh wanita yang digelar bidan kampung. Bidan kampung merupakan individu yang mempunyai kemahiran dan kebolehan dalam menguruskan hal-hal yang berkaitan dengan golongan wanita terutamanya mengenai aspek kehamilan, kelahiran dan juga selepas kelahiran. Peranan bidang kampung penting di dalam masyarakat Melayu dahulu.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="78923">
                <text>Noraina Binti Jamloh</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="78924">
                <text>Akademi Pengajian Melayu, Universiti Malaya, Kuala Lumpur</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78925">
                <text>2013</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78926">
                <text>ahya</text>
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              <description>An account of the resource</description>
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                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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              <name>Date</name>
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              <elementTextContainer>
                <elementText elementTextId="59816">
                  <text> 4. April 2023.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59817">
                  <text>Haslan   Tamjehi</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="78915">
                <text>Seni Bina dan Ragam Hias Rumah Limas di Kampung Johor Lama, Kota Tinggi, Johor</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="78916">
                <text>Saya memilih untuk membuat kajian mengenai seni bina dan ragam hias Rumah Melayu Tradisional di Johor. Saya telah memilih untuk membuat kajian berkenaan seni bina dan ragam hias rumah tradisional iaitu berlokasi di perkampungan Kampung Johor Lama di Teluk Sengat, Johor dan tajuk kertas projek saya ini adalah "Seni Bina Dan Ragam Hias Rumah Limas di Kampung Johor Lama. Teluk Sengat, Johor". Manakala penyelia merangkap pensyarah yang membimbing saya sepanjang saya menyiapkan kertas projek ini adalah Doktor Sabzali Musa Khan. Beliau banyak membantu dalam proses penyiapan tugasan ini.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="78917">
                <text>Nur Syuhadah Binti Othman</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="78918">
                <text>Jabatan Kesenian Melayu, Akademi Pengajian Melayu, Universiti Malaya</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="78919">
                <text>2013</text>
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            <name>Contributor</name>
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            <elementTextContainer>
              <elementText elementTextId="78920">
                <text>ahya</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="59809">
                  <text>Abstrak Kertas Projek  APM</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59810">
                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59816">
                  <text> 4. April 2023.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59817">
                  <text>Haslan   Tamjehi</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78908">
                <text>Program Semarak Bangsawan 2013: Peranan Jabatan Kebudayaan dan Kesenian Negara</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78909">
                <text>Kajian penyelidikan ini menumpukan perhatian terhadap pengurusan seni oleh Jabatan Kebudayaan dan Kesenian Negara dalam menjayakan Program Semarak Bangsawan (PSM) 2013. Kertas projek ini merungkai proses pelaksanaan program ini bermula daripada proses perancangan sehingga proses pelaksanaan.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78910">
                <text>Saliza Binti Ibrahim</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="78911">
                <text>Perpustakaan Pengajian Melayu</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78912">
                <text>2013</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78913">
                <text>ahya</text>
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  <item itemId="13805" public="1" featured="0">
    <collection collectionId="41">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="59809">
                  <text>Abstrak Kertas Projek  APM</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59810">
                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59816">
                  <text> 4. April 2023.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59817">
                  <text>Haslan   Tamjehi</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="18">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78901">
                <text>Perbandingan antara Penulis Wanita dan Lelaki dalam Novel Sehelai Daun yang Gugur dan Ranjau Sepanjang Jalan</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78902">
                <text>Penulisan ini bertitik tolak dari penulisan karya sastera oleh kaum lelaki mengenai kelemahan dan kegagalan wanita dalam mencari kehidupan. Gambaran wanita stereotaip selalu sekali terdapat dalam karya kaum lelaki. Hak-hak wanita seperti hak bersuara, bebas bergaul dan bersosial ditidakkan oleh kaum lelaki. Hal ini sememangnya terbukti melalui karya-karya yang ditulis oleh penulis lelaki. Perwatakan wanita yang lemah dan bergantung pada lelaki digambarkan dalam karya mereka. Oleh itu penulisan ini bertujuan untuk memberi nafas atau mencungkil hak-hak wanita dalam penulisan karya. Suara-suara dan hak-hak wanita harus diangkat dengan mengkaji novel yang pengarang wanita tulis. Penulisan ini akan menggunakan prinsip Cheri Register dalam menganalisis kedua-dua novel yang dihasilkan oleh kedua-dua pengarang ini.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78903">
                <text>Abdul Rahman Bin Wahab</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="78904">
                <text>Akademi Pengajian Melayu, Universiti Malaya, 50603, Kuala Lumpur</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78905">
                <text>2014</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78906">
                <text>ahya</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="13804" public="1" featured="0">
    <collection collectionId="41">
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          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59809">
                  <text>Abstrak Kertas Projek  APM</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59810">
                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59816">
                  <text> 4. April 2023.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59817">
                  <text>Haslan   Tamjehi</text>
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              </elementTextContainer>
            </element>
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    <itemType itemTypeId="18">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="78896">
                <text>Kajian Mengenai Simbiotik Gong dalam Masyarakat Murut dan Dusun di Sabah</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78897">
                <text>Angeline Binti Pangiran</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="78898">
                <text>Akademi Pengajian Melayu, Universiti Malaya, Kuala Lumpur</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78899">
                <text>2014</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="78900">
                <text>ahya</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="59809">
                  <text>Abstrak Kertas Projek  APM</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59810">
                  <text>Mengandungi maklumat  bibliografi  beserta abstrak kertas projek APM.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59816">
                  <text> 4. April 2023.</text>
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                  <text>Haslan   Tamjehi</text>
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        <element elementId="200">
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            <elementText elementTextId="78645">
              <text>PL5065 1985 Suhhar</text>
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                <text>Permainan Dabus (Tarian Dabus)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="78638">
                <text>Permainan Dabus adalah salah satu daripada permainan tradisional yang terdapat di negeri Perak. Permainan ini adalah menggabungkan antara seni tari, nyanyian dan muzik. Permainan ini dimainkan oleh sekumpulan lelaki dan perempuan. Alat-alat muzik yang terdapat di dalam permainan ini adalah terdiri daripada satu alat idiofon iaitu gong dan beberapa biji gendang iaitu kumpulan alat membranofon. Nyanyian pula adalah memuji-muji Rasulullah s.a.w. dan sahabat-sahabatnya.&#13;
&#13;
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              <elementText elementTextId="78639">
                <text>Suhidah Hani Abdul Rahman</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="78640">
                <text>Jabatan Pengajian Melayu&#13;
Universiti Malaya</text>
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Boria adalah sebuah teater tradisional yang menggabungkan empat cabang seni di dalam satu persembahan. Seni tersebut ialah seni lakon atau drama, seni sastera iaitu karang-mengarang, seni suara dan juga seni tari. Terdapat dua babak dalam persembahan Boria iaitu babak lakonan dan babak nyanyian (serta tarian). Dalam babak pertama hanya melibatkan lakonan atau lawak jenaka, sementara babak kedua melibatkan nyanyian, tarian dan muzik. Kedua-dua babak ini mempunyai pertautan yang rapat serta berperanan untuk menimbulkan kesedaran di kalangan rakyat dan juga pemerintah.</text>
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Universiti Malaya</text>
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                <text>Esei ini mengandungi kajian mengenai bagaimana proses seorang pemuzik Melayu Tradisional mempelajari muzik dan nilaian tentang status dan peranan muzik dalam masyarakat, yang tumpuan kajian ialah kepada seorang pemuzik Melayu Tradisional yang terkenal di Kelantan iaitu Nik Abdul Rahman bin Nik Dir.</text>
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