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DS595.2 O73Mohsy 2019</text>
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                <text>Mohd Sharifudin Yusop. (2019). Bahasa dan pembangunan masyarakat Orang Asli. Serdang. Penerbit Universiti Putra Malaysia. p.110.&#13;
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DS595.2 O73Mohsy 2019</text>
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                <text>Ritual kain pua dalam budaya Iban di Sarawak</text>
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                <text>Textile fabrics -- Sarawak</text>
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Kajian ini memberi tumpuan kepada ritual kain pua Iban di Bahgian Sri Aman, Sarawak. Dalam masyarakat Iban, kain pua mempunyai tempat yang penting dari dahulu hingga sekarang. Kain pua bukan sahaja penting dalam kegunaan harian, tetapi juga penting dalam ritual-ritual orang Iban. Kain pua dianggap anugerah petara (tuhan) kepada orang Iban, dan kerana itu, ia dianggap sesuatu yang teramat istimewa dan sakral. Dengan itu, pembuatan kain pua wajib diiringi ritual-ritual tertentu. Dalam kajian ini, diteliti ritual-ritual berkaitan dengan penenunan kain pua, iaitu dari peringkat awal penyediaan peralatan dan bahan-bahan tenun, peringkat pembuatan motif-motif sehingga selesai penenunan kain pua. Ini melibatkan khususnya rituan miring. Ritual-ritual ini umumnya diadakan untuk memohon keberkatan, kesempurnaan dan perlindungan kuasa-kuasa luar biasa.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141945">
                <text>Universiti Malaya</text>
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                  <text>Abstrak Tesis  Doktor Falsafah Akademi Pengajian Melayu</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gagasan ketatanegaraan dalam syair-syair Al-Marhum Sultan Haji Omar Ali Saifuddien Sa'adul Khairi Waddeien, Brunei</text>
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            <description>The topic of the resource</description>
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Tesis ini mengkaji satu aspek terbaru mengenai karya-karya syair Al-Marhum Sultan Haji Omar Ali Saifuddien Sa’adul Khairi Waddien, Sultan Brunei ke 28 (1950-1967). Aspek ketatanegaraan dalam karya-karya syair baginda belum pernah dikaji secara mendalam sebelum ini. Sebelum menaiki takhta kerajaan, Al-Marhum mendapati pihak British tidak berusaha memajukan negaranya, menyebabkan Al-Marhum membuat keputusan untuk mengambil kuasa dan pemerintahan dari mereka. &#13;
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                <text>fieda</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141946">
                <text>Universiti Malaya</text>
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            </elementTextContainer>
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            <description>A name given to the resource</description>
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                <text>Motif-motif tradisi dalam budaya Iban Saribas</text>
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                <text>Carving (Decorative arts) -- Sarawak -- Themes, motives</text>
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Kajian ini berfokus kepada motif-motif tradisi seni rupa Iban Saribas yang dipercayai mengandungi gambaran budaya para penciptanya. Seni rupa yang dimaksudkan ialah seni anyaman, seni tenunan, seni ukiran dan seni tatu. Tujuan kajian ialah untuk meneliti konsep budaya dan konsep seni rupa Iban Saribas. Selain itu, kajian ini juga untuk meneliti seberapa banyak budaya tradisi yang boleh dicari daripada motif-motif tradisi yang dipilih sebagi artifak kajian. Analisis data mengenai dapatan kajian yang membentangkan budaya tradisi yang dapat dicari telah dijelaskan dengan menggunakan beberapa jadual supaya boleh dilihat dan difahami tentang gambaran budaya Iban Saribas yang terselindung di sebalik motif-motif telah dipilih. Kaedah yang digunakan untuk menjalankan kajian adalah kaedah lapangan dan kaedah perpustakaan.</text>
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                <text>Anna Durin</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="135800">
                <text>PL5065 UMP 2011 Ann</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>fieda</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="135803">
                <text>Thesis</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141947">
                <text>Universiti Malaya</text>
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            <description>A name given to the resource</description>
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                <text>Malay literature -- Islamic influences -- Terengganu -- History and criticism</text>
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                <text>Ulama -- Terengganu</text>
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Kajian ‘’Kitab Ma’arij al-Lahfan lil-Taraqqi Ila Haqa’iq al-Irfan : Ketegasan Mujaddid Terengganu Pada Abad Ke-14H’’ merupakan satu usaha memperkenalkan kitab Ma’arij al-Lahfan lil-Taraqqi Ila Haqa’iq al-Irfan, yang ditulis oleh Tok Ku Paluh (r.a) pada tahun 1300H ke khalayak umum. Kitab ini kini sukar untuk dinikmati akibat tidak pernah dicetak walau cetakan batu. Oleh itu dalam kajian ini kitab ini telah ditransliterasi ke tulisan rumi, juga dilakukan penyuntingan.&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
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                <text>fieda</text>
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            <name>Type</name>
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              <elementText elementTextId="135813">
                <text>Thesis</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141948">
                <text>Universiti Malaya</text>
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    </elementSetContainer>
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                <text>Natural dyes : freeze-dried mangosteen rind extracts (Garcinia mangostana L.) for silk fabric dyeing</text>
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                <text>Abstrak&#13;
Warna asli diperoleh daripada alam semula jadi merupakan warna utama yang digunakan oleh pengkarya tekstil Melayu di negara ini untuk mewarnai tekstil mereka sebelum warna sintetik diperkenalkan. Walau bagaimanapun, penggunaan pewarna asli pada hari ini telah hilang daya tarikan memandangkan proses penghasilannya adalah kompleks, rumit dan memakan masa lama. Usaha telah dilakukan oleh pelbagai pihak dan institusi pengajian tinggi awam untuk mengembalikan kegemilangan, keunikan dan kecantikan pewarna asli dalam pelbagai produk tekstil tempatan. Namun begitu, usaha-usaha tersebut tidak dijalankan mengikut prosedur yang sistematik menyebabkan penghasilan kepekatan warna adalah tidak konsisten. &#13;
Kajian ini bertujuan untuk meneroka dan merangka kaedah altenatif bagi menghasilkan pewarna asli secara sistematik menggunakan kulit manggis segar (Garcinia mangostana Linn); Indeks Warna 5 sebagai bahan utama dan ‘’freeze-drying’’ sebagai kaedah mengekstrak warna asli tersebut. Hasilan ekstrak dieksperimentasi ke atas fabrik sutera melalui tiga proses mewarna dan mematikan warna (iaitu sebelum, semasa dan selepas) bagi menghasilkan pelbagai warna dan tona warna . Sampel fabrik tersebut kemudian diukur secara kuantitatif tahap perbezaan warna antara dua ekstrak, perbezaan kaedah mewarna serta ketahanan warna terhadap cahaya dan cucian.</text>
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                <text>Basitah Taif</text>
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          <element elementId="48">
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="135821">
                <text>2011</text>
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              <elementText elementTextId="135822">
                <text>fieda</text>
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                <text>Thesis</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141949">
                <text>Universiti Malaya</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Strategi dan teknik komunikasi perbicaraan mahkamah : analisis pragmatik</text>
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            <description>The topic of the resource</description>
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                <text>Courts -- Malaysia -- Language Communication in law -- Malaysia</text>
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                <text>Linguistic analysis (Linguistics)</text>
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                <text>Abstrak&#13;
	Kajian ini bertujuan untuk menganalisis peristiwa bahasa perbicaraan mahkamah dari perspektif pragmatik. Usaha ini dilaksanakan kerana peristiwa bahasa perbicaraan mahkamah mempunyai pelbagai maklumat yang menarik untuk diselidiki. Oleh itu, menerusi kajian ini, kefahaman yang jitu berkaitan penggunaan bahasa perbicaraan mahkamah dapat dihuraikan secara lebih menyeluruh. &#13;
	Kajian ini telah menganalisis penggunaan bahasa oleh pameran dalam perbicaraan mahkamah. Analisis itu telah mendapati bahawa pameran telah menggunakan strategi komunikasi langsung menerusi kaedah pernyataan, penceritaan semula pertanyaan, permohonan, silaan dan komen. Di samping itu, kajian ini turut menemui penggunaan strategi tak langsung oleh pameran seperti buang-buang cakap (beating about the bush), penggunaan perantaraan (surrogate) dan penyanggahan (contradicting). Kajian ini juga turut menganalisis beberapa strategi komunikasi lain yang telah digunakan oleh pameran, di samping strategi komunikasi langsung dan tak langsung. Antara strategi komunikasi lain yang telah digunakan oleh pameran ialah menerusi kaedah patah balik, jalinan komunikasi berterusan, rujukan dan cipta aral. </text>
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                <text>Mohd Azam Ahmad</text>
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            <name>Source</name>
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              <elementText elementTextId="135829">
                <text> PL5065 UMP 2011 Mohaa</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="135830">
                <text>2011</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="135831">
                <text>fieda</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="135832">
                <text>Thesis</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141950">
                <text>Universiti Malaya</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="135833">
                <text>Transformasi teknologi pembuatan labu sayong : kajian kes </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Pottery industry -- Technological innovation -- Perak</text>
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              <elementText elementTextId="135835">
                <text>Clay industries -- Technological innovation -- Perak</text>
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                <text>Handicraft -- Technological innovationzPerak.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Abstrak &#13;
Tembikar Labu Sayong merupakan salah satu hasil kraftangan Melayu tradisional yang diwarisi dari satu generasi ke satu generasi. Labu Sayong merupakan labu hitam tradisional yang digunakan oleh orang Melayu untuk menyimpan air minuman. Pembuat tembikar labu sayong membentuk labu dengan menggunakan tangan dan kayu penepek. Kemudian mereka menghias labu dengan pelbagai rekaan motif dan seterusnya dibakar dan di sekam dengan padi sehingga terhasilnya warna hitam. Namun begitu pewarisan kraf ini tidak menarik minat generasi mempelajarinya memandangkan proses pembuatannya secara tradisional amat memerlukan kemahiran yang tinggi. Persoalannya adakah menghasilkan Labu Sayong secara tradisional masih relevan dengan zaman berteknologi masa kini? Untuk menjadikan pembuatan kraftangan ini diteruskan oleh generasi baru, perlu difikirkan kesinambungan cara pembuatannya melalui transformasi teknologi dan terbukti ia telah diterima oleh pengusaha-pengusaha labu di Mukin Sayong, Perak.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="135838">
                <text>Hamdzun Haron</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>PL5065 UMP 2011 Hamh</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="135840">
                <text>2011</text>
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            <name>Contributor</name>
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              <elementText elementTextId="135841">
                <text>fieda</text>
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            <name>Type</name>
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              <elementText elementTextId="135842">
                <text>Thesis</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141951">
                <text>Universiti Malaya</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lagu-lagu gubahan P.Ramlee : analisis semiotik melodi dan lirik </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Composers -- Malaysia -- History and criticism</text>
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                <text>Music -- Semiotics -- Malaysia</text>
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                <text>Abstrak&#13;
Keunggulan P. Ramlee sebagai pemuzik Melayu adalah berkait rapat kecemerlangan filem-filem yang beliau hasilkan di samping dianggap sebagai pemuzik Melayu yang sangat prolifik. Kajian ini bertujuan untuk menilai keistimewaan tanda-tanda yang terdapat dalam melodi dan lirik gubahan P. Ramlee. Kajian terhadap melodi, pengkaji menganalisis mengikut konsep-konsep pengulangan, variasi, kontras, sikuan, jeda, dan senada, manakala terhadap lirik, pengkaji menganalisis mengikut konsep-konsep fizikal, psikologi, sosial, dan ekonomi. Analisi melodi berfokus kepada gaya analisis mengikut teori semiotik Charles Sanders Peirce (1831-1914) manakala analisis lirik mengikut teori semiologi Ferdinand de Saussure (1857-1913). Teori Peircce mementingkan sistem triadik, iaitu representamen, interpretant, dan objek yang sering berhubung dengan tiga trikotomi, iaitu tanda-tanda qualisign, sinsign, dan legisign sebagai trikotomi ‘kepertamaan’, ikon, indeks, dan simbol sebagai trikotomi ‘kekeduaan’; dan tanda-tanda rheme, sicisign, dan argument sebagai trikotomi ‘keketigaan’. Teori Saussure mementingkan sistem keduaan (dyadic) untuk melihat hubungan penenada (signifier) dan petanda (signified). Dapatan yang diperolehi daripada analisis-analisis melodi dan lirik dapat mencerminkan pemikiran P. Ramlee yang begitu rapat dengan konteks sosial dan budaya dalam kehidupan masyarakat Melayu.</text>
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            <name>Creator</name>
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                <text>Abdul Hamid Adnan</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>PL5065 UMP 2012 Abdha</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2012</text>
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            <name>Contributor</name>
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              <elementText elementTextId="135850">
                <text>fieda</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="135851">
                <text>Thesis</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141952">
                <text>Universiti Malaya</text>
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                <text>Kajian estetika dalam cerita rakyat Melayu Kuantan Riau Indonesia</text>
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	Kajian ini terbahagi atas tujuh bab, merupakan penelitian yang menumpukan pada estetika cerita rakyat Melayu Kuantan Riau yang diperoleh daripada sastera lisan yang ada di daerah Kuantan Riau Indonesia. Kajian ini berdasarkan bahan sastera rakyat, penganalisian dilakukan dengan menggabung jalin daripada beberapa teori yang sesuai seperti, Teori Nilai, Teori Kebahasaan, dan Teori Sosialisme. &#13;
	Kajian ini bersandar pada anggapan penulis bahawa cerita rakyat Melayu Kuantan Riau perlu pelestarian kerana cerita tersebut memiliki nilai-nilai estetika yang tinggi oleh sebab itu penulis merasa terpanggil untuk meneliti bidang ini kerana kajian mengenai estetika pada cerita rakyat masih sangat sedikit sekali bahkan dapat dikatakan langka. Paradigma sebegini mampu memperkembangkan dunia penyelidikan sastera rakyat Melayu ke arena antara bangsa.</text>
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                <text>Universiti Malaya</text>
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                <text>Teater Melayu makyung : kajian kreativiti koreografi</text>
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                <text>Abstrak&#13;
	Sesuatu persembahan pentas yang mempamerkan hubungan dari hasil penggubahan yang menyentuh kepada perlambangan adat masyarakat Melayu tanahair perlu mempunyai kaedah dan teknik yang khusus sebagai garis panduan pemikiran kreativinya. Penyelidikan ke atas corak-corak komposisi ini telah membentuk kerangka pemikiran yang diperlukan untuk sesuatu penggarapan yang berakar dari adat masyarakat Melayu. Di mana kerangka ini telah mengungkap persoalan-persoalan yang menyentuh tentang konsep, gaya penggarapan dan motif bahan kreatif. Ciri-ciri ini telah dilihat dan ditafsirkan kedalam corak hasil dapatan yang tertumpu ke sudut dan aspek-aspek teknikal yang diperlukan. Penentuan genre-genre teater yang mempunyai konsep koreografi gerak lakon dan tari melalui klasifikasi dari skop kajian telah meletakkan kesenian teater tari Makyung sebagai kajian utama dan Mek Mulung pula sebagai perbandingan. Menyentuh kepada gaya dan corak persembahan teater sebegini akan mengundang pelbagai tahap dan nilai pengukuran yang memperlihatkan keselarian dengan tuntutan konsep keindahan. Iaitu keperluan bagi menepati corak dan gaya kreatif melalui sudut pandangan adat masyarakat Melayu yang beragama Islam.&#13;
	Makyung dan Mek Mulung mempunyai kaitan yang memperlihatkan corak penggubahan yang megambil bahan-bahan kerja kreatif koreografi berdasarkan nilai-nilai perlambangan masyarakat Melayu. Walaubagaimanapun hanya kesenian Makyung sahaja yang mempunyai corak penggubahan yang menyatakan kaedah dan teknik melalui aspek-aspek teknikal yang lebih menyeluruh.</text>
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                <text>Mohd Effindi Samsuddin.</text>
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                <text>PL5065 UMP 2012 Mohes</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141954">
                <text>Universiti Malaya</text>
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                <text>Ritual 'makan tahun' masyarakat Kadayan di Kampung Selanyau, Daerah Kecil Berkenu, Sarawak</text>
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            <description>The topic of the resource</description>
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                <text>Abstrak&#13;
	Fokus penyelidikan ini adalh mengenai ritual ‘Makan Tahun’ masyarakat Kadayan di Kampung Selanyau, Daerah Kecil Bekenu, Sarawak. ‘Makan Tahun’ merupakan satu majlis yang diraikan oleh masyarakat Kadayan selama empat hari tiga malam sebagai tanda kesyukuran kepada Allah S.W.T. kerana telah memberikan hasil padi yang lumayan dan kesejahteraan hidup kepada mereka. Bagi mereka melalui pelaksanaan ritual ini, permasalahan dan krisis kehidupan yang berteraskan kepada budaya padi pula dapat diatasi melalui nilai-nilai kebersamaan yang akhirnya membentuk kepada identiti masyarakat Kadayan. Tujuan penyelidikan pula untuk melihat peranan simnolisme di dalam ritual yang dijadikan sebagai identiti Kadayan. Elemen-elemen seperti kepercayaan kepada kuasa-kuasa supernatural dan keislaman diselitkan sebagai menerapkan unsur-unsur kebersamaan di setiap perlakuan ritual tersebut. Simbol-simbol seperti pekanan raja, kelupis, bumoh, ustaz dan golongan agama, Ratib Saman, Yang Maha Berkuasa, solat Dhuha, solat Hajat, doa selamat, tahlilan dan sebagainya memperlihatkan wujudnya penerapan unsur-unsur animism dan Islam di dalam budaya Kadayan.</text>
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                <text>Mohamad Maulana Magiman</text>
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            <name>Source</name>
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                <text>PL5065 UMP 2012 Mohmm</text>
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            <name>Date</name>
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                <text>fieda</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141955">
                <text>Universiti Malaya</text>
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                <text>Novel Kawin-kawin : analisis konteks</text>
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            <description>The topic of the resource</description>
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                <text>Discourse analysis, Literary</text>
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                <text>Malay language -- Context</text>
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                <text>Malay fiction -- History and criticism</text>
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                <text>Abstrak&#13;
	Kajian konteks dalam novel kawin-kawin adalah untuk melihat bagaimana komponen-komponen yang wujud dalam konteks, iaitu latar, peristiwa bahasa dan hubungan antara pameran memainkan peranan penting bagi mewujudkan konteks yang berkesan dan akhirnya melahirkan wacana atau cerita novel. Kajian aspek konteks ini penting kerana kajian akan menunjukkan cara untuk mengungkapkan bahasa bersesuai dengan konteks agar sesuatu komunikasi itu berjalan dengan lancar. Kajian konteks ini akan tertumpu terhadap aspek yang mempengaruhi kewujudan sesuatu konteks, iaitu latar, peristiwa bahasa dan hubungan antara pameran. &#13;
	Kajian ini berdasarkan sebuah novel karya Azizi Hj. Abdullah yang bertajuk kawin-kawin sebagai bahan kajian. Novel ini telah memenangi anugerah pertama dalam pertandingan Hadiah Sako II. Sebanyak dua puluh dua fasal terdapat dalam novel tersebut. Cerita yang dipaparkan ialah realiti kehidupan masyarakat yang mengamalkan perkahwinan mut’ah dan perkahwinan ta’liq. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Shao Ying</text>
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            <name>Date</name>
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                <text>fieda</text>
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                <text>Thesis</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141956">
                <text>Universiti Malaya</text>
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                <text>Model rasa insaniah dalam puisi Islam tiga penyair Nusantara</text>
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                <text>Poets, Malay -- Southeast Asia</text>
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                <text>Malay literature -- Islamic influences</text>
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                <text>Islamic poetry, Malay -- History and criticism</text>
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                <text>Abstrak&#13;
Puisi Melayu moden mempunyai sejarah dan perkembangan yang amat baik di Nusantara. Bermula daripada puisi-puisi yang bertemakan perjuangan, menuntut kemerdekaan hinggalah kepada tema keislaman. Kekeliruan mula timbul apabila puisi Melayu moden yang membawa persoalan keislaman wajar disebut puisi Islam atau puisi berunsur Islam? Oleh itu, kajian ini akan cuba menjelaskan dan menjawab persoalan kajian terhadap gagasan ‘Model Rasa Insaniah’ (MRI), iaitu mengenal pasti kesesuaian prinsip-prinsip Model Rasa Insaniah dalam menganalisis unsur-unsur dakwah, terhadap dalam puisi tiga penyair, iaitu Rahimidin Zahari (Malaysia), Jamal D. Rahman (Indonesia) dan Johor Buang (Singapura). Model ini merupakan hasil pengubahsuaian dan penambahbaikan tiga teori tempatan sedia ada, iaitu Teori TAKMILAH (Shafie Abu Bakar), Pengkaedahan Melayu (Hashim Awang) dan Rasa-Fenomeonologi (Sohaimi A. Azi). Titik pertembungan ketiga-tiga teori ini ialah kemunculan gagasan yang bersifat Melayu-Islam. Model Rasa Insaniah ini terdiri daripada tiga prinsip utama, iaitu (1) Prinsip pengabdian kepada Allah (SWT, (2) Prinsip pengucapan Beradab, dan (3) Prinsip kehalusan makna. Ketiga-tiga prinsip ini mempunyai peralian yang amat rapat antara penulis dengan Allah SWT (sebagai hamba dan pengabdian), penulis sebagai pendakwah (beradab dan berakhlak dengan bercirikan sifat kerasulan), dan penulisan dengan karya (kehalusan makna atau estetika).</text>
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                <text>Shamsudin Othman</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="135899">
                <text>PL5065 UMP 2012 Shao</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2012</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>fieda</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Universiti Malaya</text>
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                  <text>Abstrak Tesis  Doktor Falsafah Akademi Pengajian Melayu</text>
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                <text>Analisis kesilapan dalam pembelajaran Bahasa Melayu sebagai bahasa kedua oleh pelajar India : strategi pembelajaran dan pemindahan bahasa</text>
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            <description>The topic of the resource</description>
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                <text>Abstrak&#13;
Kajian ini bertujuan untuk mengenal pasti dan menganalisis strategi pembelajaran serta strategi pemindahan bahasa dalam proses pembelajaran bahasa Melayu sebagai bahasa kedua dalam kalangan pelajar India di sekolah rendah jenis kebangsaan Tamil (SJKT) yang berada di kawasan estet. Orang-orang India telah menerima bahasa Melayu sebagai bahasa Kebangsaan negara ini dan mempelajarinya secara formal atau tidak formal. Namun, penguasaan bahasa Melayu dalam kalangan Pelajar India masih kurang memberangsangkan. Oleh itu, kajian ini bertujuan untuk menganalisis strategi pembelajaran dan strategi pemindahan bahasa yang merupakan dua strategi utama yang digunakan oleh pelajar India semasa mempelajari bahasa Melayu dalam situasi formal.&#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Arulnathan Visurasam</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>PL5065 UMP 2013 Aru</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="135910">
                <text>2013</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="135911">
                <text>fieda</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="135912">
                <text>Thesis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141958">
                <text>Universiti Malaya</text>
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                <elementText elementTextId="125753">
                  <text>Abstrak Tesis  Doktor Falsafah Akademi Pengajian Melayu</text>
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      <name>Text</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Kritikan seni dari perspektif sosio budaya di Malaysia</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Art, Malaysian -- History and criticism</text>
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                <text>Art, Modern -- Malaysia -- History and criticism</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="135916">
                <text>Abstrak&#13;
Meskipun Malaysia mengalami perkembangan pesat dalam dunia seni lukis pada ketika ini namun senario itu tidak memadai kerana masih wujud kelompongan dari sudut kritikan seni iaitu aspek teoritikal yang sewajarnya menjadi tulang belakang atau disiplin teras kepada kemajuan seni visual tanah air. Meskipun wujud kekurangan dari segi penglibatan serta dan ruang perbincaraan kritikan seni visual ini, ia tidak menjadi halangan untuk memupuk budaya keintelektualan di dalam masyarakat. Kelahiran karya-karya dari kalangan pelukis-pelukis tersohor negara seperti Datuk Syed Ahmad Jamal dan Dato’ Mohd. Hoessein Enas memberi ruang seluas-luasnya kepada bidang kritikan seni iaitu sebagai manifestasi pemikiran dan budaya dalam memacu kepada pembentukan budaya kritis di kalangan masyarakat. Apabila sesuatu karya itu di lukis, dibicara dan ditulis aka terciptalah ia sebagai dokumen-dokumen zamannya, pencatat waktu dan perakam peristiwa yang dapat menjelaskan tentang pelbagai aksi atau rentetan reaksi di masa silam sebagai suatu cerminan atau rujukan sosiobudaya yang penting. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="135917">
                <text>Mohamad Kamal Abd. Aziz</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>PL5065 UMP 2013 Mohkaa</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="135919">
                <text>2013</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="135920">
                <text>fieda</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Thesis</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="141959">
                <text>Universiti Malaya</text>
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            </elementTextContainer>
          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Petikan tentang Orang Asli</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="135770">
                  <text>amirul</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pembangunan modal insan guru melalui...</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Pembangunan modal insan guru melalui latihan, bengkel dan kursus yang dijalankan oleh pihak JAKOA, pihak Pejabat Pendidikan Daerah dan pelbagai pihak lain juga sangat penting sebagai insentif dan usaha untuk memujuk guru supaya melaksanakan tanggungjawab masing-masing dengan sempurna di sekolah. Pihak sekolah sering menghantar guru untuk mengikuti kursus seperti kursus komputer, teknik pengajaran yang berkesan dan tidak ketinggalan juga kursus motivasi sebagai meningkatkan prestasi dan komitmen guru."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="135924">
                <text>Mohd Sharifudin Yusop</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="135925">
                <text>Mohd Sharifudin Yusop. (2019). Bahasa dan pembangunan masyarakat Orang Asli. Serdang. Penerbit Universiti Putra Malaysia. p.120.&#13;
&#13;
DS595.2 O73Mohsy 2019</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2019</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>amirul</text>
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                <text>Book</text>
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        <name>orang asli</name>
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        <name>Pendidikan</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <description>A name given to the resource</description>
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                <text>Dasar hormat-menghormati perlu...</text>
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            <description>An account of the resource</description>
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                <text>"Dasar hormat-menghormati perlu wujud dalam sebarang perancangan dan tindakan pembangunan yang hendak dibawa kepada Orang Asli. Walaupun sebilangan besar masih berada di bawah aras kemiskinan, tidak berpelajaran, dan tidak ramai bilangannya, mereka tetap manusia biasa yang berhak dilayan dengan penuh peri kemanusiaan. Mereka juga layak dihormati bukan sahaja atas fakta antropologi bahawa mereka adalah penghuni asal di negara ini, malah mereka tidak pernah menimbulkan masalah kepada sebarang 'pencerobohan' yang ebrlaku terhadap status quo mereka selama ini."</text>
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                <text>Mohd Sharifudin Yusop</text>
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              <elementText elementTextId="135932">
                <text>Mohd Sharifudin Yusop. (2019). Bahasa dan pembangunan masyarakat Orang Asli. Serdang. Penerbit Universiti Putra Malaysia. p.130.&#13;
&#13;
DS595.2 O73Mohsy 2019</text>
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                <text>amirul</text>
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        <name>bumiputera</name>
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        <name>orang asli</name>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>"Kajian terawal tentang Orang Asli tertumpu kepada aspek bahasa mereka. Nik Safiah Karim (1968) pernah menyenaraikan tulisan terawal tentang Orang Asli khususnya dari aspek kajian bahasa. Lima tulisan terawal berkisar tentang Bahasa Semang di Kedah. Tulisan-tulisan dihasilkan oleh Crawfurd (1820 dan 1825), Anderson (1824), Roberts (1832) dan Marsden (1834). Walau bagaimanapun, tulisan terawal tersebut hanyalah berupa usaha mengumpul dan menyenarai kosa kata dalam bahasa itu di beberapa tempat seperti Kedah dan Ulu Selama."</text>
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DS595.2 O73Mohsy 2013</text>
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DS595.2 O73Mohsy 2013</text>
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                <text>Mohd Sharifudin Yusop. (2013). Keterancaman bahasa Orang Asli Duano &amp; Kanaq. Serdang. Penerbit Universiti Putra Malaysia. p.218.&#13;
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DS595.2 O73Mohsy 2013</text>
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                <text>Mohd Sharifudin Yusop. (2013). Keterancaman bahasa Orang Asli Duano &amp; Kanaq. Serdang. Penerbit Universiti Putra Malaysia. p.226.&#13;
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DS595.2 O73Mohsy 2013</text>
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                <text>"Golongan tua ini telah mempunyai pengalaman yang secukupnya dalam penguasaan BM kerana mereka telah berpeluang menggunakannya dalam banyak kesempatan di luar kampung dalam pelbagai situasi. Mereka menggunakannya tatkala bersemuka dengan pegawai JHEOA khususnya dalam banyak hal berkaitan urusan kehidupan mereka. Secara tidak formal pula mereka menggunakannya tatkala bertandang ke kedai kopi di kampung bersebelahan dan juga ketika berurusan dengan pihak FELCRA tentang kerja mereka di ladang kelapa sawit."</text>
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DS595.2 O73Mohsy 2013</text>
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