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                <text>RTM 21.5.25.&#13;
https://berita.rtm.gov.my/nasional/senarai-berita-nasional/senarai-artikel/guna-kedudukan-strategik,-capai-matlamat-rundingan-tarif-as-pakar</text>
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https://berita.rtm.gov.my/dunia/senarai-berita-dunia/senarai-artikel/eu-cadang-perkongsian-pertahanan-bersama-australia</text>
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                <text>Sohaimi Abdul Aziz. (2003). Teori &amp; Kritikan Sastera: Modenisme, Pascamodenisme dan Pascakolonialisme. Kuala Lumpur: Dewan Bahasa dan Pustaka. p.154. </text>
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          <element elementId="39">
            <name>Creator</name>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Sohaimi Abdul Aziz. (2003). Teori &amp; Kritikan Sastera: Modenisme, Pascamodenisme dan Pascakolonialisme. Kuala Lumpur: Dewan Bahasa dan Pustaka. p.156.</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>nsakinah</text>
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            <description>The nature or genre of the resource</description>
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            <description>An account of the resource</description>
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                <text>'Representasi tentang dunia yang dibuat dalam bentuk wacana bertulis ialah satu penglibatan konstruksi terhadap dunia, iaitu pembentukan modus realiti sosial.'</text>
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          <element elementId="39">
            <name>Creator</name>
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            <description>The nature or genre of the resource</description>
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            <description>An account of the resource</description>
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                <text>'Kepercayaan dan nilai dalam sesuatu budaya itu akan mencegah seseorang itu terkeluar dari lingkungan sempadan yang telah ditetapkan.'</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>A name given to the resource</description>
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                <text>'Kehadiran pergerakan budaya ada hubungannya dengan hakikat budaya itu sendiri, iaitu bukan sahaja mengandungi had sempadan, tetapi juga mempunyai ciri-ciri keanjalan.' </text>
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>'Historisisme baru membawa teks sastera ke dalam persekitarannya semula setelah sekian lama diabaikan.' </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>'Humanisme dianggap sebagai satu wacana, yang tidak dapat lagi dipertahankan dari segi kemurnian dan kebenarannya.' </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Sohaimi Abdul Aziz. (2003). Teori &amp; Kritikan Sastera: Modenisme, Pascamodenisme dan Pascakolonialisme. Kuala Lumpur: Dewan Bahasa dan Pustaka. p.188.</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="141487">
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            <description>A related resource from which the described resource is derived</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Kesusasteraan serantau</text>
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                <text>'Kesusasteraan serantau memperlihatkan secara langsung ataupun tidak langsung satu identiti yang bersifat kolektif dari segi geografi, sejarah, dan bahasa.'</text>
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                <text>Sohaimi Abdul Aziz</text>
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                <text>Sohaimi Abdul Aziz. (2003). Teori &amp; Kritikan Sastera: Modenisme, Pascamodenisme dan Pascakolonialisme. Kuala Lumpur: Dewan Bahasa dan Pustaka. p.202.</text>
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                <text>'Pascamodenisme telah menjadi lebih daripada satu keadaan sosial dan pergerakan budaya, iaitu telah menjadi satu pandangan hidup.'</text>
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                <text>Sohaimi Abdul Aziz</text>
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                <text>Sohaimi Abdul Aziz. (2003). Teori &amp; Kritikan Sastera: Modenisme, Pascamodenisme dan Pascakolonialisme. Kuala Lumpur: Dewan Bahasa dan Pustaka. p.209. </text>
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                  <text>JMBRAS, VOL.85, part1(2012), pp.1-44</text>
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                <text>Journal of the Malaysian Branch of the Royal Asiatic Society,52,part 1.1979.p.1-56.&#13;
DS591 RASMJ 1979</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Izrin Muaz Md Adnan</text>
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DS591 RASMJ 1979</text>
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                <text>Pakpak Batak communities in North Sumatra have been navigating cultural shifts influenced by modernization, migration, and changing religious identities. While many still uphold traditional customs and social structures, younger generations are increasingly blending these with contemporary lifestyles. This balance between preserving heritage and adapting to new influences reflects the community's resilience and evolving identity.</text>
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                <text>Sultan Abdul Majid Hassan of Brunei, also known as the King of Boni, died in 1408 while visiting the Ming court in Nanjing. Honoring his wish to be buried in China, the Yongle Emperor arranged a royal funeral and had him interred at Shizi Hill, just outside the southern gate of the city. The tomb, forgotten for centuries, was rediscovered in 1958 and is now part of a scenic area that includes a Brunei-style park and the China-Brunei Friendship Hall. This site reflects the deep historical ties between Brunei and China, dating back to early diplomatic exchanges and cultural connections.</text>
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                <text>Succession in the Perak Sultanate follows a unique and complex system based on seniority and rotating titles among royal family members. Rather than direct inheritance from father to son, the system promotes individuals through a ranked structure, with each title serving as a step toward the throne. This method helps maintain balance and tradition within the royal court while ensuring experienced leadership.</text>
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                <text>Chewong (Siwong) in Perspective</text>
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                <text>The Chewong, also known as Siwong, are a small indigenous group in Peninsular Malaysia with unique beliefs, especially about nature and the spirit world. Their way of life is deeply tied to the forest, with customs that emphasize harmony, sharing, and avoiding conflict. Looking at them in context highlights the richness of indigenous knowledge and the challenges they face in a changing world.</text>
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              <elementText elementTextId="141756">
                <text>Rodney Needham</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="141757">
                <text>Journal of the Malaysian Branch of the Royal Asiatic Society,57,part 2.1984.p.105-112.&#13;
DS591 RASMJ 1984</text>
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                <text>1984</text>
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                <text>harith</text>
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                  <text>Journal of the Malayan Branch Royal Asiatic Society.</text>
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                <elementText elementTextId="158219">
                  <text>A History of the Acheen Street Malay Enclave from Oral History Accounts</text>
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              <description>An account of the resource</description>
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                  <text>The Malay Muslim quarter of Gerge town, known as Malay Town, was located south of Chulia Street and surrounded by paddy fields and swampy land. It expanded in the early 19th century to include Acheen Street and Armenian Street, forming a layout similar to today. Over time, the Malay presence declined, although they once owed much of the inner city. Due to frequent flooding, traditional houses were built on raised platforms, and some Indo-Malay style buildings still remain today.</text>
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                  <text>Izrin Muaz Md Adnan</text>
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                  <text>JMBRAS, VOL.85, part1(2012), pp.1-44</text>
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                <text>The Sources of Abd Al-Ra 'ūf's Tarjumān Al-Mustafīd</text>
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                <text>Abd al-Ra’ūf’s Tarjumān al-Mustafīd, a Malay tafsir (Qur'anic commentary), draws heavily from earlier Arabic sources, particularly the works of al-Baydawi and al-Khazin. By adapting these texts into Malay, Abd al-Ra’ūf made Islamic teachings more accessible to local audiences. His work reflects both deep religious scholarship and a desire to spread Islamic knowledge within the cultural context of the Malay world.</text>
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                <text>Peter Riddell</text>
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                <text>Journal of the Malaysian Branch of the Royal Asiatic Society,57,part 2.1984.p.113-118.&#13;
DS591 RASMJ 1984</text>
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        <name>Abd Al-Ra 'ūf's Tarjumān Al-Mustafīd</name>
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                  <text>Journal of the Malayan Branch Royal Asiatic Society.</text>
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                <elementText elementTextId="158219">
                  <text>A History of the Acheen Street Malay Enclave from Oral History Accounts</text>
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                  <text>The Malay Muslim quarter of Gerge town, known as Malay Town, was located south of Chulia Street and surrounded by paddy fields and swampy land. It expanded in the early 19th century to include Acheen Street and Armenian Street, forming a layout similar to today. Over time, the Malay presence declined, although they once owed much of the inner city. Due to frequent flooding, traditional houses were built on raised platforms, and some Indo-Malay style buildings still remain today.</text>
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                  <text>Izrin Muaz Md Adnan</text>
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                  <text>JMBRAS, VOL.85, part1(2012), pp.1-44</text>
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                <text>Jawi Literature in Patani: The Maintenance of An Islamic Tradition</text>
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                <text>Jawi literature in Patani has played a key role in preserving Islamic teachings and cultural identity in the region. Through religious texts, poetry, and legal writings in the Jawi script, local scholars maintained a strong connection to Islamic traditions despite political challenges and external pressures. This literary tradition reflects the deep roots of Islam in Patani and its importance in shaping community values and education.</text>
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              <elementText elementTextId="141770">
                <text>Virginia Matheson&#13;
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                <text>M.B. Hooker</text>
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              <elementText elementTextId="141771">
                <text>Journal of the Malaysian Branch of the Royal Asiatic Society,61,part 1.1988.p.1-86.&#13;
DS591 RASMJ 1988</text>
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                <text>1988</text>
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