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Sesungguhnya kegemilangan dan keunggulan bangsa Melayu sedikit sebanyak dapat dilihat daripada warisan keseniannya. Kajian ini cuba membincangkan seni ukiran kayu sebagai salah satu warisan budaya yang boleh mencerminkan pemikiran dan seterusnya cara hidup bangsa Melayu itu sendiri. Bagi tujuan tersebut tiga orang pengukir terkenal tanahair telah dipilih sebagai asas untuk melihat dan mengkaji bentuk pemikiran yang ada pada diri mereka seterusnya apa juga yang terkandung di dalam hasil karya mereka. Selain daripada pemikiran mereka perkara-perkara seperti sejarah peribadi dan teknik teknik ukiran turut disentuh. Tumpuan utama kajian ini ingin melihat perbezaan pemikiran yang terdapat pada diri mereka kesan dari perubahan yang berlaku kepada masyarakat Melayu khasnya apabila menerima Islam sebagai pegangan hidup selepas pengaruh Hindu-Buddha dan animisme. Kajian ini cuba mendekati jiwa para seniman yang menghasilkan sesebuah karya. la juga cuba menjawab persoalan iaitu pertamanya, adakah falsafah dan pemikiran yang terkandung di dalam hasil kesenian Melayu sengaja diciptakan bagi tujuan keindahan iaitu selepas sesuatu karya itu terhasil. Keduanya pula, adakah pemikiran dan falsafah tersebut telah ada di dalam jiwa orang Melayu dan kemudiannya disampaikan melalui karya mereka. Setiap pandangan dan pemikiran tokoh yang dikaji mengandungi kelebihannya tersendiri untuk difikirkan bersama. </text>
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Kajian ini menyentuh tentang melangkaui batasan tatabahasa, iaitu wacana bahasa Melayu dengan tumpuan terhadap wacana klasik dan moden. Dua aspek penting yang mendasari sesebuah teks, iaitu tautan dan runtutan menjadi fokus utama dalam penyelidikan ini. Menyelidiki aspek tautan menyinggung aspek runtutan tanpa sesebuah wacana adalah tidak lengkap kerana kedua -dua dalam aspek ini saling lengkap melengkapi. Kedua-dua aspek ini walaupun berlainan konsep tetapi saling empengaruhi di dalam tingkat struktur tekstual. Tautan yang merupakan unsur bentuk dan runtutan yang merupakan fungsi makna pada dasarnya tidaklah dapat diabaikan dalam lapangan kebahasaan. Wacana yang bertaut umumnya bergantung kepada subjenis penggunaan jenis dan tautan sesuai manakala penentuan tingkat yang betul dan keruntutan Wacana sesebuah ditentukan oleh tahap pemahamamarn pembaca yang dibantu oleh faktor bentuk kebahasaan dan latar belakang pembaca. Analisis tautan dijalankan dengan membahagikan unit data kajian kepada dan bilangan perenggan, diklasifikasikan jenis teks, serta bilangan ikatan subjenis tautan mengikut model oleh Halliday dan Hasan (1976) dengan sedikit penambahan tautan Beaugrande dan Dressler yang dikemukakan unsur parafrasa dan paralelisme yang dikemukakan oleh de (1981) . Hampir semua unit teks tautan. Jarak mempunyai sekurang-kurangnya satu ikatan tautan . Jarak antara unsur tautan dengan unsur yang ditaut juga diberi semua jenis perhatian untuk melihat jarak dekat dan jauh. Didapati tautan seperti leksikal, rujukan, penghubung pangkal ayat, paralelisme elipsis, penggantian (kecuali paralelisme, parafrasa dan tidak diperoleh dalam Teks Moden) hadir dalam kedua- dua teks kajian. Untuk mengesan tahap runtutan, model yang diperkenalkan Almeida dijadikan landasan. Maklumat yang oleh dikutip daripada informan yang terdiri daripada pelajar tahun pertama menjelaskan bahawa Teks Moden (TK) Klasik daripada Teks (TK). lebih runtut Dapatan yang diperoleh menunjukkan bahawa tautan bukanlah penyumbang mutlak dalam menentukan tahap keruntutan seseorang terhadap teks yang dihadapinya. Ada faktor-faktor lain yang seperti membantu untuk melahirkan teks yang runtut aspek kebahasaan dan latar belakang pembaca. Jenis dan subjenis peranan tautan walau Tanpa jalinan unsur-unsur memainkan dalam bagaimanapun menyediakan jalinan ke arah pencapaian tahap keruntutan. sudah pasti mengganggu dalam mencapai tahap tautan, kelancaran dan kecekapan pembaca runtut. Dengan adanya unsur-unsur tautan ini akan untuk memahami mengurangkan bebanan kognitif pembaca di dalam sesebuah teks. sesuatu maklumat yang tersirat Dapatan daripada kajian ini diharapkan dapat memberikan mantaat dari segi penggunaan dan pengajaran bahasa agar perkembangannya lebih tuntas. </text>
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Kajian ini merupakan analisis deskriptif terhadap karya-karya Haji Ibrahim Datuk Kaya Muda Riau dengan menggunakan teori struktural dan menerapkan pendekatan kve entering dialogisme dan close rading ke atas karya-karyanya. Untuk memperoleh hasil yang independen dan intensif sebagai sebuah telaah teks, kajian ini melakukan tinjauan kodikologis ke atas karya-karya yang akan dianalisis. Tujuan utama kajian ini adalah untuk melihat dan menjelaskan kreativiti Haji Ibrahim, tokoh yang hidup sezaman dengan sasterawan dan budayawan Raja Ali Haji, dan seorang penulis dan penyelidik dari orang kebanyakan yang sangat langka pada pertengahan abad ke-19 semasa Kerajaan Johor, Riau-Lingga berlangsung Kebangkitan tradisi menulis di kalangan bangsawan Melayu, terutama di Riau-Lingga, setelah terlakunya krisis politik di kebanyakan negeri Melayu, Sama ada di tanah Semenanjung dan Riau-Lingga yang menimbulkan banyak kegelisahan, merasa terpencil, melankolik, dan tidak percaya diri. Di Semenanjung keadaan kuasa politik terjejas oleh penjajahan Inggeris, sementara di bahagian Indonesia, Riau khasnya keadaan lebih parah lagi. Meskipun pada masa itu Singapura sudah memperlihatkan kemajuan aspek ekonomi yang melaju, tidak membuat Riau-Lingga apriori dan melayani dengan senjata" yang sama, namun ditanggapi dengan posiif dalam bidang kebudayaan, yang selalu dikatakan banyak orang bahawa "gempuran emas" Singapura berhadapan dengan kubu budi" di Riau. Kajjan ini akan cuba menerokai ketokohan Haji Ibrahim dan menelusuri karya-karyanya, menggali imej, fungsi karya-karya, dan kepengarangan Haji Ibrahim, Serta sumbangsihnya terhadap sasterawan. Secara makro kajian ini dapat pula mengorak corak aktiviti kehidupan masyarakat Melayu Johor, Riau-Lingga, Sama ada politik, sosial, budaya, dan agama pada zaman itu. Teks yang dipilih sebagai bahan kajian, iaitu Pantn pantun Melay; ikgyat Raja Damsyik; Syair Raja Damsyik; Cerita Pak Belalang dan Lebai Malang, Tjakap-2 Rampai-2 Babasa Malajoe Djabor jilid [1] dan (2], dan Surat-surat Melayu. Hasil Kajian ini berharap akan membuka khazanah pemikiran kesusasteraan khasnya dan sosial budaya amnya ke atas perkembangan pembangunan negeri serumpun. Karenanya, kajian ini dapat dibuat sandingan dan bandingan dari apa apa yang sudah dikerjakan terdahulu untuk mengukur kemajuan atau kemunduran yang terjadi sekarang ini. </text>
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              <elementText elementTextId="147709">
                <text>Universiti Malaya</text>
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          <element elementId="42">
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Students, Chinese--Selangor</text>
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&#13;
Disertasi ini mengkaji kesalahan bahasa pelajar-pelajar Sekolah Menengah Cina Persendirian di Selangor. Kajian ini bertujuan memupuk kesedaran betapa perlunya penggunaan bahasa yang betul di kalangan pelajar-pelajar supaya keutuhan dan kewibawaan bahasa Melayu dapat dipertingkatkan. Bab 1 membincangkan sejarah perkembangan bahasa Melayu sehingga menjadi bahasa kebangsaan bagi Malaysia dan bahasa pengantar di sekolah sekolah. Selain itu, bab ini juga membincangkan tujuan kajian, kepentingan kajian dan bidang kajian yang melibatkan tiga aspek kesalahan bahasa, iaitu ejaan, morfologi dan sintaksis. Bahagian akhir bab ini menumpukan perhatian kepada perbincangan mengenai tempat kajian, populasi dan tumpuan kajian serta definisi konsep yang melibatkan kesalahan bahasa, tatabahasa dan bahasa Melayu baku. Dalam bab 2, dibincangkan kajian-kajian terdahulu kesalahan bahasa. Kajian-kajian terdahulu ini meliputi kajian dalam negara dan luar negara. Bab 3 pula, memberi gambaran tentang sekolah-sekolah Cina di Malaysia, iaitu kewujudannya sehinggalah terbentuknya Sekolah-sekolah Menengah Cina Persendirian. Dalam bab ini, disentuh juga aspek pengurusan, kurikulum, peperiksaan dan sumber tenaga pengajar sekolah-sekolah berkenaan. Bahagian akhir bab ini membincangkan penubuhan dan perkembangan Sekolah-sekolah Menengah Cina Persendirian di Selangor. Bab seterusnya, iaitu bab 4, membincangkan kaedah kajian. Ini termasuklah proses pengumpulan data, dan proses analisis kajian. Perbincangan seterusnya memberi fokus kepada penentuan kesalahan dengan diperturunkan contoh-contoh kesalahan ejaan, morfologi dan sintaksis yang dilakukan oleh pelajar bersama pembetulannya. Analisis kajian dibincangkan dalam bab 5 dan 6. Bab 5 memberi fokus kepada latar belakang responden berdasarkan borang soal selidik dan kesalahan ejaan. Bab 6 pula memberi fokus kepada kesalahan morfologi dan sintaksis. Bab yang terakhir, iaitu bab 7 menyimpulkan keseluruhan hasil kajian yang dilakukan. </text>
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Bangsawan</text>
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Bukan ras atau gender, batas geografi atau lokasi yang menentukan maju mundur tetapi kesedaran dan keutuhan peribadi itulah jiwa sebenar sesuatu bangsa </text>
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&#13;
Drama moden Malaysia, semenjak perkembangan yang pesat dalam tahun tujuh Duluhan hinggalah ke hari ini, walaupun hanya 30 tahun sejarahnya, ia telah menunjukkan hasil dan pencapaian yang agak membanggakan dalam bidang penulisan skrip drama dan pementasan. Tapi dari segi kajian berbentuk ilmiah, selain daripada penulisan oleh Mana Sikana, Solehah Ishak, Nur Nina Zuhra dan lain-lain, ja boleh dikatakan agak kekurangan, khususnya dalam bidang kajian pengarahan teater, tidak ada sebarang pengkajian dan penulisan secara komprehensif pernah dilakuka. Oleh yang demikian, tesis ini ingin mengkaji kebangkitan dan perkembangan pengarahan teater Inggeris dan Melayu tempatan, dengan tumpuan diberi kepada pengarah veteran Krishen Jit. Catatan dan kajian dibuat berkenaan dengan corak pengarahannya, kemudian fahaman teater dan pengarahan beliau dianalisis, justeru menerusi kajian ini cuba menentukan suatu status terkini pengarahan teater tempatan; dengan menggunakan kaedah analisis pengarahan Barat sebagai panduan, agar suatu bentuk teori pengarahan tempatan dapat dikesankan. Kajian dan analisis terperinci yang dilakukan tertumpu kepada proses rehersal karya pengarahan Krishen yang bertajuk 'Skin Trilogy' Tesis ini mendapati bahawa kaedah pengarahan Krishen Jit bukan sahaja sekadar mencari segala kemungkinan dalam pembikinan teater, bahkan menunjukkan bahawa fungsi teater yang paling berkesan ialah interaksi antara individu yang terlibat, termasuk pengarah, pelakon, pereka-pereka serta interaksi bersama penonton. Ruang yang diberikan oleh pengarah kepada kesemua peserta dalam kreativiti teater telah menunjukkan keseimbangan hak dalam teater. Teater yang sebegini akan lebih berkembang dari sebuah teater yang bergantung hanya kepada kreativiti pengarah sahaja. Dapat dipastikan bahawa tesis ini merupakan bahan kajian berkenaan pengarahan teater yang julung kali diusahakan. Di harap tesis ini dapat memberi sumbangan besar kepada sejarah pengarahan teater tempatan.</text>
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                <text>Universiti Malaya</text>
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Sociolinguistics--Malaysia&#13;
Sociolinguistics--Thailand</text>
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&#13;
Disertasi ini merupakan satu kajian perbandingan bahasa Melayu yang dituturkan di dua buah kawasan yang saling berjiran, iaitu di Malaysia dan di Thailand, khususnya empat wilayah sempadan selatan, berdasarkan kerangka teoritis sosiolinguistik. Kajian ini mempunyai tiga tujuan, iaitu, i) membandingkan unsur unsur yang mempengaruhi arah perkembangan bahasa Melayu di negara masing masing, i) menggambarkan dan menganalisis perbezaan yang ada pada bahasa Melayu di kedua-dua negara, dan iii) meramalkan arah perkembangan masa depan bahasa Melayu berdasarkan cabaran yang akan dihadapinya. Bab 1 pendahuluan. Dalam bab ini disajikan latar belakang kajian, tujuan kajian serta kesesuaian kajian ini dari segi dua disiplin ilmu, iaitu pengajian Melayu dan sosiolinguistik. Dalam Bab 2 tumpuannya beralih kepada perbezaan konsep Melayu dan orang Melayu. Di Malaysia terdapat gejala yang boleh dianggap sebagai peluasan konsep Melayu, sebaliknya di Thailand pula konsep Melayu mempunyai erti yang khusus, yang dikaitkan secara erat dengan bahasa Melayu dan agama Islam. Perkara ini dibincangkan secara khusus kerana perasaan jati diri terhadap sesuatu bahasa merupakan satu bidang yang penting dalam bidang sosiolinguistik. Bab 3 membandingkan pengaruh dasar kerajaan terhadap bahasa Melayu di kedua-dua negara. Di Malaysia bahasa Melayunya diangkat semula menduduki takhta sebagai bahasa kebangsaan dan bahasa rasmi tunggal. Di samping itu bahasa Melavu digunakan sebagai alat perpaduan negara yang terdiri daripada berbagai-bagai kaum. Sebaliknya, di Thailand peningkatan bahasa Melayu dianggap sebagai ancaman terhadap perpaduan negara. Oleh itu, dasar kerajaan di Thailand bertujuan untuk menyebarkan bahasa Thai, terutamanya melalui sistem pendidikan, dan pada masa yang sama menyekat penggunaan bahasa Melayu dalam bidang-bidang yang penting. </text>
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                <text>PL5065 UM 2001 SHI	</text>
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                <text>Universiti Malaya</text>
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            <name>Format</name>
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Malay fiction--History and criticism&#13;
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Kajian ini mengandungi lapan bab berdasarkan analisis bahan jampi dan mantera sebagai sebuah genre. Bab Satu membincangkan latar belakang kajian yang terdiri daripada kajian terdahulu, konsep jampi dan mantera, konsep pawang-bomoh-dukun, konsep genre, metodologi kajian, bahan kajian, objektif kajian dan masalah kajian. Dalam Bab Dua, dibincangkan kerangka teoritis, iaitu teori-teori yang digunakan dalam kajian ini, seperti yang dikemukakan oleh Asmah Haji Omar (1996) dan Dell Hymes (1974). Hipotesis kajian juga dimuatkan dalam bahagian ini. Dalam Bab Tiga, dibincangkan struktur jampi mantera, iaitu pendahuluan, isi dan penutup secara umum. Variasi atau penyimpangan yang terdapat dalam bahan ini juga dinyatakan secara umum. Analisis struktur dan variasi jampi mantera secara khusus terdapat dalam Bab Empat, Lima dan Enam kajian ini. Dalam Bab Empat struktur pendahuluan dibahagikan kepada tiga, iaitu pernyataan berbentuk seruar pernyataan berunsurkan alam dan pernyataan penghormatan. Bab ini juga membincangkan variasi struktur pendahuluan, iaitu gabungan unsur dalam pendahuluan dan jampi mantera tanpa penutup. Dalam Bab Lima struktur isi dibahagikan kepada enam, iaitu fungsi permintaan, rayuan, perintalh, amaran, keyakinan dan peraturan. Bab ini juga membincangkan variasi struktur isi, iaitu jampi mantera tanpa pendahuluan dan penutup. Dalam Bab Enam pula struktur penutup dibahagikan kepada empat, iaitu rujukan kepada Allah, kepada Allah dan Rasul, kepada Tuan Guru dan kepada Allah, Rasul dan Tuan Guru. Bab ini juga memuatkan variasi struktur penutup yang terdapat dalam jampi dan mantera. Sebagai sebuah genre, sudah tentu jampi mantera berbeza daripada puisi Melayu tradisional yang lain. Justeru, Bab Tujuh memfokuskan strategi komunikasi dan kesopanan dalam jampi dan mantera berdasarkan penyesuaian teori yang dikemukakan oleh Dell Hymes (1974), iaitu who speak, what, to whom, why, where and how dan Asmah Hj.Omar (1996) berdasarkan pendekatan bahasa borang. Bab Lapan merupakan bab terakhir yang merumuskan jampi dan mantera sebagai sebuah genre, iaitu bersifat teks, sebagai suatu proses dan peristiwa komunikatif dalam masyarakat. </text>
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p. 332-346&#13;
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BP63 M4PAIMM</text>
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KEDUDUKAN Pramoedya Ananta Toer dalam konteks perkembangan sastera modcn Indonesia khususnya di era Angkatan 45 telah diteliti dari pelbagai perspektif oleh sarjana-sarjana Indonesia, Malaysia dan Barat. Sumbangan besar dalam mengubah hala tuju sastera kotemporari Indonesia selepas perang telah memberi kesan penting khususnya dari aspek gaya, pendekatan dan tema. Novel-novelnya sebagai contoh, merupakan pandangan kesedaran kelompok masyarakat bawahan Indonesia dalam memperjuangkan kepentingan mercka. Pembahasan dalam tulisan ini dengan menggunakan teori Strukturalisme Genetik oleh Lucien Goldmann akan melihat bagaimana aspek-aspek kesedaran kolektif diketengahkan. masyarakat bawahan dalam tiga era Menerusi disertasi ini, penerapan teori Strukturalisme Genetik ke dalam novel novel Pramoedya dibahagikan kepada enam bab. Bahagian pertama penulisan ini ialah n pendahuluan yang akan memaparkan tujuan kajian, kajian terdahulu terhadap novel-novel Pramoedya, kacdah kajian dan pendekatan yang digunakan. Bab pertama pula ialah pengenalan terhadap teori Strukturalisme Genetik oleh Goldmann yang merupakan teori sosiologi sastera yang paling `lengkap' berbanding dengan dengan teori-teori pasca Marxisme yang diperkenalkan oleh sarjana-sarjana sebelumnya. la juga memperlihatkan bagaimana penerapan teori ini ke dalam karya The Hidden God. Bab kedua merupakan latarbelakang sosial Pramoedya yang menjadi asas kepada gaya kepengarangannya. Antara lain latarbelakang kehidupan di kota miskin Blora dan hubungan eratnya dengan Lembaga Kebudayaan Rakyat (Lekra) yang merupakan organisasi kebudayaan di bawah Parti Komunis Indonesia yang ditubuhkan pada 1952 di Solo, Jawa Tengah. Bab ketiga merupakan penerapan teori Strukturalisme Genetik oleh Goldmann ke dalam novel-novel Bumi Manusia, Jejak Langkah dan Anak Semua Bangsa yang terangkum di dalam tetralogi Bumi Manusia. Novel-novel ini merupakan pandangan pandangan kesedaran kelompok Pramoedya tentang masyarakat Indonesia pada era kolonial Belanda (Hindia Belanda). Bab keempat merupakan penerapan teori ini ke dalam novel-novel zaman perang yang dipilih untuk dianalisis iaitu Keluarga Gerilya (1952) dan Perburuan (1950). Bab kelima merupakan penerapan teori ini ke dalam novel-novel pasca perang Revolusi atau lebih dikenali sebagai era Orde Lama. Dalam analisis untuk bab ini, tiga novel dipilih iaitu Bukan Pasar Malam (1954), Korupsi (1956)dan Sekali Peristiwa di Banten Selatan (1957). Bab keenam merupakan kesimpulan dari analisis ini dengan mengemukakan sejauhmana teori Strukturalisme Genetik oleh Goldmann dapat diterapkan ke dalam novel-novel Pramoedya sesuai dengan pandangan-pandangan pertentangan kelasnya. </text>
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Di sertasi ini mengemukakan perbincangan tentang 'sirih pinang' Disebabkan ruang lingkup kebudayaan ini tersangat luas, kajian lebih tertumpu kepada reka bentuk kesenian 'tepak sirih'. Tepak sirih ialah satu daripada pelbagai kesenian Melayu yang masih dapat bertahan. Bagaimanapun akibat kemajuan di Zaman IT (Teknologi Maklumat) dan pengetahuan sains dan teknologi yang menyebabkan kebudayaan ini mulai terpinggir . Perbincangan seperti sejarah, juga fungsi menyentuh beberapa simboli sme, dan tinggi aspek fungsi kegunaan sirih pinang. Kajian ini dibahagikan kepada lima bab. Bab pertama menyentuh tentang justifikasi kajian ini seperti de finisi, metodologi, dan ulasan tujuan, persoalan, kesusasteraan. Ini diikuti oleh bab kedua yang berkaitan dengan sejarah bermulanya tradisi amalan makan sirih di Nusantara, Khasnya di Malaysia. Sumber utama bab ini diperolehi daripada internet. Bab ketiga ialah kajian yang lebih menjurus kepada kesenian tepak sirih. Pengkaji menbuat enam klasifikasi reka bentuk tepak sirih, bent uk kuboid (logam), bentuk talam, bentuk pahar, bentuk bebas, dan bentuk kuboid (pandan /mengkuang) buj am epok. Beberapa Contoh kesenian tepak sirih turut dikaji dan dianalisis Secara mendalam tentang Corak dan motif, sama ada menggunakan gaya geometri atau gabungan kedua-duanya. Bab keenpat menerangkan organik, gaya tentang simbolisme dan fungsi kegunaan tepak sirih dan sirih fungsi pinang. Manifestasi ini berkaitan dengan sistem kepercayaan, iaitu pengesahan hubungan manusia dan alam yang tidak boleh dipisahkan. Enam genre kesusasteraan turut dibincangkan, iaitu prosa lama, peribahasa, gurindam, syair, pantun, dan sajak. Bab akhir merupakan bahagian penutup kajian ini. Rumusan secara keseluruhan dengan menyentuh aspek-aspek yang terpenting sahaja. Di samping itu bab ini juga menyentuh masa depan tepak sirih dan langkah-langkah yang perlu dilakukan agar kebudayaan sirih pinang dapat dipertahankan lebih lama lagi. </text>
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                <text>Universiti Malaya</text>
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                <text>Norliza Jamaluddin</text>
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                <text>PL5065 UM 2000 NORHJ	</text>
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              <elementText elementTextId="148005">
                <text>Universiti Malaya</text>
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          <element elementId="42">
            <name>Format</name>
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                <text>Tasawwuf Islam menurut pemaham ahli Sufi di alam Melayu : analisis pada "Sya'ir Ma'rifat"</text>
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                <text>Syair Ma'rifat--Criticism, Textual&#13;
Sufi literature, Indonesian--History and criticism&#13;
Sufi literature, Indonesian--Criticism and interpretation</text>
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&#13;
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                <text>PL5065 UM 2000 MOHTAMB	</text>
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            <name>Date</name>
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                <text>mki</text>
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              <elementText elementTextId="148014">
                <text>Universiti Malaya</text>
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            <name>Format</name>
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                <text>Isu perbezaan pemikiran dan pandangan tokoh dan madhhab dalam Islam dalam pelbagai persoalan sentiasa menjadi isu dan bahan perdebatan yang tidak berkesudahan sejak sekian lama...</text>
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                <text>Prosiding Persidangan Antarabangsa Islam dalam Masyarakat Malaysia : sejarah, perkembangan dan cabaran masa hadapan yang berlangsung pada 5-6 Oktober 2010 di Fakulti Sastera dan Sains Sosial, Universiti Malaya (Jilid 2)&#13;
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p. 458-473&#13;
&#13;
BP63 M4PAIMM</text>
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