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            <name>Title</name>
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                <text>Abstrak Disertasi Sarjana  Perpustakaan Pengajian Melayu</text>
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            <name>Source</name>
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                <text>Perpustakaan Pengajian Melayu</text>
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            <name>Date</name>
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              <elementText elementTextId="141861">
                <text>2025</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Koleksi  abstrak dari  disertasi peringkat Sarjana  yang terdapat di Perpustakaan Pengajian  Melayu</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="143232">
                <text>Mohd Khalifah Idris</text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>The expression of the interior decoration in the traditional mosques in Malacca : a critical review in relation to islamic arts</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Traditional Mosques&#13;
Melaka </text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Abstrak&#13;
&#13;
This study is to assess whether the application of decoration in the traditional mosques are truly successful in emanati1ng ther true roles as perceived in Islam and whether the hidden function and their true roles are truly achieved. The overall view of ISLAM, Islamic Arts in relation to decoration, the importance of mosque as a place of worship to Allah, and as an important building in the Muslim world are discussed. The concept of Tawhid' as the doctrine in Islam; and the way Islam perceives Beauty in its decorative arts as a mean of contemplation and Remembering Allah are elaborated. In order to understand these hidden functions and messages, the overall approach, roles, functions and typologies of decoration are explained. The uniqueness of Islamic Arts characteristics, roles, meanings and principles are governed universally by the Islamic doctrine - Tawhid which expressed Oneness and Unity towards Contemplation to the One God Allah. By looking at these aspects, one can truly assess whether the current usage of decorative motifs in mosque is in full success or not. A cross-reference of these usages is established with the true roles and functions of these decoration motifs as decoration in relation to Islamic Art as a whole. Successful applications of the interior decorative motifs can then be established and recommended for future applications. IL is the intention of the study to be as an impetus for other broader and more critical analyses which can be made by others to fully comprehend the underlying concepts of the decorative motifs in the mosque interiors. This study is not an archetypal presentation of facts. A base reference study was made onto the oldest traditional mosque in the South East Asia region- Masjid Agng Demak in Central Java, Indonesia. Field studies were made to cover three selected traditional mosques in Malacca: Masjid Kampung Hulu, Masjid Tengkera and Masjid Al Azim. These mosques were chosen based on their built age on two separate eras - the old traditional mosques: Masjid Kampung Hulu and Masjid Tengkera, have been built since the 18" Century and been treated as community mosques. These mosques are still in use, well maintained and conserved. The new traditional mosque, Masjid A1 Azim is of the 20" Century, is a new and larger scale mosque, treated as the State Mosque in Malacca Surveys were done to record and identify the decorative motifs in these mosques and to evaluate the users' awareness and the effectiveness of these decoration. The aesthetic criteria of the decoration elements which have profound impacts onto the users are also identified. Further more, a close examination and analysis regarding certain aspects of the physical characteristics of the decorative motifs are presented. Through the survey and observation study of these decoration, various physical and aesthetic factors were identified. These factors were then referred to formulate the general design criterion in relation to the application of decoration in mosque. By fully understanding the role of decoration, further improvements can be recommended to ensure better and effective usage of decoration particularty n mosques</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Norzalifa Zainal Abidin&#13;
</text>
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        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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            <elementText elementTextId="147246">
              <text>PL5065 UM 2003 NORZA	</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="147247">
              <text>2003</text>
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        <element elementId="37">
          <name>Contributor</name>
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            <elementText elementTextId="147248">
              <text>mki</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>Universiti Malaya</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="147250">
              <text>Dissertation</text>
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